Hurmuz is a beautiful woman, her husband Ömer is in prison and she's in love with him. She thinks that her husband is very loyal to her, but one day, when she goes to visit him, she learns that she has six other wives besides herself, and she can't get over this and wants to take revenge. Hızır Reis, Guard Hasan, Tulumbacı Hayri, Hallaç Rüstem and Berber Hasan. Hurmuz marries all of them in turn and kidnaps them all on their wedding night. But still, Hurmuz's heart is with the doctor.
India's capital Delhi is the center-point of this story, depicted as a degenerate and corrupt city with Members of Parliament with big criminal rap sheets, ruling the roost, transferring or killing honest police officers, promotion their own corrupt cops, openly collecting weekly bribes (haftas) from local businesses, pimps, prostitutes ET AL, even openly holding an auction for bidders to bid for areas for black-marketing purposes. Lala Khurana is the uncrowned king of Delhi and he runs it with the help of a Member of Parliament, & the Director General of Police. His advocate Chintamani Chaubey wants him to contest the next elections, ensuring his win, and making his own laws, appointing his own police officers, who will do his bidding, carrying on without any checks and balance. Khurana likes this idea, but feels he is getting too old, but would like his son, Devendra Kumar, to run and be the next State Chief Minister.
Don’t disturb the man in the cradle...
Astral Weeks Live at the Hollywood Bowl: The Concert Film is the second official DVD by Northern Irish singer-songwriter Van Morrison. It features the songs from his 1968 classic album, Astral Weeks. The live performances on the DVD were filmed from two separate concerts by Van Morrison at the Hollywood Bowl in Los Angeles, California in 2009, with a fourteen member band.
Machine Soul is a documentary film about Finnish Electronic musicians. It is a glance at the methods, rituals and philosophy behind the music, but most of all at the burning passion that drives the artists forward year after year. Electronic music is discussed from the point of view of the artists. What are their early influences? How did their style develop? What has been the role of their environment? It is a form of music that is often perceived as cold and lifeless by outsiders, but in the eyes of the artists it is a multifaceted and soulful way of life. The movie is not an overview of the Finnish Techno scene nor a chronicle. Many of the artists are virtually unknown in Finland, but have a large fanbase outside their home country. Machine Soul is a homage to the pioneers and newcomers of the Finnish Electronic music scene.
Based on the novel by L. P. Hartley, The Hireling is a dissection of antiquated but hardly dormant British class distinctions as a lonely socialite and her chauffeur become more than friends.
Based on Fyodor Dostoevsky's 1876 short story, 'A Gentle Creature (A Fantastic Story)'
HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.
"Religious Fighter" - In Romania, the idealistic Istanbul teacher, Aliye, communicate activities to a town in Anatolia supporting the idea of National Struggle in the region.
Barry and Susan O'Brien are a young married couple who have just inherited a house. They love their beautiful new home, and decide to throw a party. The party is partly to show off their new digs and partly because Barry, an actor, wants to butter up the producer of a soap opera in hopes that his character won't be killed off. But the O'Briens soon discover that they have to worry about death in the real world too, because a flock of demons is hiding out in one of the closets, waiting to be released.
Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.