Gon vertrekt voor het Hunter-examen, maar onderweg wordt het schip aangevallen door een monsterlijke kraken. Leorio en Kurapica moeten hun privégevecht onderbreken om Gon te helpen.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

Synopsis 1. "Today's Superpower" (26min, 오늘의 초능력, o-neul-eui cho-neung-ryeok) by Lee Min-seob People who claim to be able to use superpowers once a day gathered! But why can't they use their superpowers? Do they really have superpowers in the first place? 2. "1+1" (30min, 1+1) by Han Jay "Toot! I'm 1+1!" One day, the same alter ego as me appeared! 3. "Jangah & Chichung" (35min, 장아치청, jang-a-chi-cheong) by Kim Tae-hoon-II "Burp!" Once you start burping, there's nothing you can do. A comedy action movie limited to 60 minutes, filled with real superpowers by superheroes. 4. "LOVE SICK" (23min, 러브씩, reo-beu-ssik) by Jung Seung-hoon A year after the end of the zombie crisis, Seung-beom prepares an unforgettable proposal for his girlfriend Ji-yoon who saved him.

Sounds as witnesses. They blurr into memories, half-dreams, it is undecided if they are real or not. A fluctuation between imagination and reality.

Het koppel Signe en Thomas lijkt op het eerste gezicht het perfecte leventje te leiden. Beiden zijn echter competitief aangelegd en pogen ze elkaar voortdurend af te troeven. Dat ze hiervoor al eens iets moeten stelen of liegen, maakt hen niet uit. Wanneer Thomas onverwachts in de kunsten doorbreekt, wil de wanhopige Signe de aandacht weer op zichzelf richten. Hiervoor gaat ze tot het uiterste.

In addition to the two-part television version of the film, a shorter version was installed to show the film, entitled “Sherlock Holmes in the 20th Century.” In this installation version, in particular, the entire plot of the story “Bruce-Partington Drawings” was deleted. A film version was released before the premiere of the full (two-part) television version of the film.

Gordon discovers that his girlfriend's dog isn't quite what she says it is.

Hüseyin Al Baldawi arrives in Brussels in August 2015. He has traveled thousands of kilometers until he got there from Iraq. A year after his arrival, he receives his residence permit and decides to go to Greece. This journey from Brussels to Athens involves the viewers on the difficulties faced by Hüseyin and thousands of other immigrants. While the story of Hüseyin is taking shape through the countries he travels, the forgotten people he meets and the selfish society of Europe give us many messages, as well.

Rostock-Lichtenhagen, 24 augustus 1992. Lien is een Vietnamese vrouw die zich gevestigd heeft in Duitsland, maar ze weet nog niet dat ze tegen het einde van de dag zal moeten vechten voor haar leven. Stefan en zijn vrienden maken deel uit van de nachtelijke onrust in dezelfde stad. Jong, boos en zich overdag vervelend, kijken ze uit naar de nachtelijke rellen en confrontatie met de politie en buitenlanders. Niet in staat om te gaan met het verlies van een vriend, komt Stefan terecht in een cirkel van geweld.

Silence dominates the work, as does the screen rectangle, which cuts off the “image” from a life time-space continuum and imposes upon the image its particular character. Within it, there is a play between tonalities, textures, large and small shapes.

A short, graphically dynamic work contrasting contradictory views of perception and interpretation, by way of society's assumptions vis-a-vis phallocentrism and fetishism.

De jonge Franse journaliste Judith is vastbesloten Salvador Dalí te interviewen, maar elke poging hiertoe wordt keer op keer dwarsgezeten door de flamboyante kunstenaar en zijn groeiende eisenpakket.

Old professional killer Wagner seeks someone to teach what he knows as long as he is already dying, and he chooses Max, young and passionless thief to be his successor.

The Imjin War reaches its seventh year in December of 1598. Admiral Yi Sun-shin learns that the Wa invaders in Joseon are preparing for a swift withdrawal following the deathbed orders of their leader Toyotomi Hideyoshi. Determined to destroy the enemy once and for all, Admiral Yi leads an allied fleet of Joseon and Ming ships to mount a blockade and annihilate the Wa army. However, once Ming commander Chen Lin is bribed into lifting the blockade, Wa lord Shimazu Yoshihiro and his Satsuma army sail to the Wa army’s rescue at Noryang Strait.

Cord Hosenbeck and Tish Cattigan return for their annual round of live Rose Parade coverage. Cord Hosenbeck and Tish Cattigan are no strangers to the iconic New Year’s tradition of the Rose Parade, having covered the event for the past twenty-six years. After a whirlwind year that included traveling abroad to cover the Royal Wedding, the duo are more excited than ever to return to Pasadena. The esteemed Tim Meadows will also return for the festivities.

Ultra Music Festival 2015. Midden in de stromende regen. Dash Berlin schreef geschiedenis door het publiek te verrassen met een van de meest emotionele, krachtige en energieke sets die het festival ooit heeft gezien en bleek zich helemaal thuis te voelen op het grote hoofdpodium.

A miserly mill-keeper kidnaps two Dutch children, but their pet duck runs for help like Lassie.

De politie gelooft helemaal niets van de geruchten dat er een enorme vliegende hagedis boven de stad zou cirkelen. Helaas vallen er al gauw slachtoffers en het voltallige politiekorps lijkt er niks aan te kunnen doen. Een werkeloze pianostemmer ontdekt echter per toeval het nest van het monster en bedenkt een plan om het beest te kunnen verslaan.

A male lion, right next to bars that are about 6 or 8 inches apart, keenly watches a uniformed zoo attendant toss small morsels of food into the cage. The lion alternates between finding the food on the cage floor and reaching through the bars to swipe at the man, who stays alarmingly close to the beast. In the background are the large rocks and brick wall at the back of the lion's habitat.