One of the earliest Cirque du Soleil releases, filmed during a tour of the troupe's native Canada in 1986 and filled with their trademark costumes, music and extraordinary feats.

Documentary about the milk farmer Bertil Nilsson

A family man returns to his hometown to settle affairs, but discovers he is the last person in town who is not part of a legendary pyramid scheme. And all the others want him in.

An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.

Cleo lives in Marseilles and works as a waitress in a waterfront dive. A stranger entices her into coming to Paris to take dancing lessons, but instead she is taken to a baron, who betrays her. In spite of this inauspicious start, Cleo becomes a successful and renowned actress, but her feelings about men have never recovered. She loathes them and uses them only for the money they offer her, which she then hands over to a penniless girl.

A coming of age story of three young friends during their student years in Amsterdam.

Six vignettes pit an assortment of characters against each other in everyday situations.

Igor Tsaplin wants to be elected for a third term and PR team already familiar to us will help him.

Two different worlds collide: the wealthy influential people on the one hand and the poor and honest on the other hand. Sin, a wealthy boy had been spoiled by his parents and has never realized the importance of self-dependence and how to become a responsible man. The boy lives his life relying on his parent's wealth and power, making him even more arrogant and pompous. Lud, a mute middle-aged man came from a rural area to be a motorcycle mechanic in Vientiane. His wife worked as a market woman and they had a six-year-old daughter. Though Luds life was simple, his family was warm and loving. One day Lud unexpectedly faces the greatest loss of his life caused by Sin.

Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.

Jack is caught with the wife of his employer, a Vegas thug. The thug sends goons after Jack, who convinces his best friend, Pilot, to flee with him. Pilot insists that they head for Seattle, but doesn't tell Jack why. The goons learn from Pilot's drug source where the youths are headed, and they follow, hell bent on breaking Jack's feet. On the road, Jack and Pilot give a ride to Cassie, a distressed young woman. She and Jack hit it off. They pick up an aging stoner headed to Seattle for Kurt Cobain's memorial, and they help a circus sideshow family. Why is Pilot so set on Seattle, will the goons catch Jack, and is there any way the friends' competing needs can be resolved?

Through a haze of smoke, coke, and booze; possible futures, pasts, and presents coalesce chaos inside the mind of a man drifting directionless through life. When your future calls, what will you have to say?

When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.

A safe cracker claims he has lost his memory when two criminals come calling for their cut of the bank heist loot.

The film is an adaptation of the play of the same name staged by the theater group Os Satyros. More than 200 characters from the central region of São Paulo, including residents, prostitutes, drug dealers, businessmen, transsexuals, prostitutes, actors and musicians were interviewed. These testimonials were the starting point to build the trajectory of eleven characters that intersect during a night on the town.

Fifteen-year-old Ako is fascinated by the paintings of her classmate Shun, and during her adolescence, when her ego begins to emerge, she becomes enamored with him. However, at 17, Shun has changed from the man she was attracted to at that time, and Ako struggles with a sense of inferiority and dislike toward herself, Shun, and others who are left behind in the past and becoming adults.