A breezy comedy set in the art world of New York that brings an insider's insight into the financial troubles that constantly beset a group of Big Apple artists struggling to survive.
In 1987, Robert Crumb presents himself: raised by a Marine father, educated in Catholic schools, married at 21 in Cleveland where he worked for a greeting card company, dropping acid in 1965, heading to San Francisco and getting in on the formation of Zap Comix, gaining celebrity, loving old time jazz, starting a band, living in a commune, meeting Aline Kominsky who became his second wife and his partner in art, having a daughter, and developing a more realistic drawing style. The confessions include his loneliness, his obsessions with women, his bewilderment by fame, his sense of the disintegration of Sixties' subculture, his nervous breakdown in 1973, and his peace now.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Men and women are dancing feverishly for a long time. The dance of bodies turns into a filmic trance, fleeing turns into running away, with braided motifs that get revived with every race. The men who don’t dance talk, recite, tell their own stories for and with the filmmakers. And be it through dancing or talking, it is by sharing work space and time, by making a film together, as a community, and by lovingly giving in to sharing, that the film operates politically. It even makes a processional samba in the streets of Sao Paulo look like a show of inalienable collective power. Carried away by this power, the film itself then seems to run away, to overrun its own limits. Somewhere between fable and document, improvisation and composition, anger and joy, all frontiers are burning. (Cyril Neyrat - FID 2021)
The movie is a fictionalized account of a disgruntled cop who has been wrongly implicated in a torture video that went viral. It begins on his last night of duty, as he is about to leave for abroad for better job prospects.
The legend of King Naresuan continues with this third of four chapters and tells the story of King Naresuan, Thai's chivalric king and warrior in the Ayutthaya era who fought against the invasion of Burmese troops that wanted to overpower the Ayutthaya Kingdom.
"a colorful poem of the first copy-motion film... the system registers images directly from a color (xerox) duplicator model 6500... an original, versatil, unique system developed by Darino" –Back Stage
After their teacher fails them, two high school students decide to teach the imperious, demanding instructor a lesson by falsely accusing her of the murder of a missing student.
Tomás, accompanied by his biographer Lina, calls upon his two sons, Jesús and Antonio. The sons find themselves competing for a potential inheritance. The discovery of a large flag standing in the garden triggers a wave of family conflict.
A group of friends try to defeat an evil king, and meet some quirky characters along the way.
Nu kan hele familien Danmark godt gøre sig klar og spænde sikkerhedsselerne. For Far, Mor, Winni, Onkel Georg har fundet den helt rigtige fidus: Onkel Georg, Oscar, Anders og Lille Bertram skal kidnappe en rigmandssøn og forlange en hulens masse gysser af forældrene. En genial enkel plan - pærelet! Onkel Georg har bare ikke forudset, at Lille Bertram bliver klippet skaldet, at Oscar, Anders og Lille Bertram må flygte på en pony med et helt karneval på jagt efter dem og at Onkel Georg selv kommer til at køre bil sammen med et skelet...
A two-wheeled convoy of Victorian gentlewomen in a charming early film enigma.
Social-justice movie about exploitation of Indians by white people in pre-Revolution Mexico.
When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.