Join the spook-busting, case-cracking, snack-munching fun as Scooby-Doo and the Mystery, Inc. gang gear up for four of their most frightening adventures ever! Traveling the globe on their ongoing quest to trip up crooks (and chow down on munchies), Scooby-Doo, Shaggy, Daphne, Fred and Velma tangle with a supernatural assortment of eerie adversaries. Facing multiple monsters, ghouls galore and gobs of ghosts, our top-dog detective and those "meddling kids" will stop at nothing to get their ghoul as they confront SCOOBY-DOO'S CREEPIEST CAPERS!
"WE ALL PLAY" addresses the reality of the LGBTQIA+ community in sport. In a trip around the world, we will meet outstanding world elite athletes, who will talk, many of them for the first time, about their personal and professional experiences in first person.
The “scattered factory” expands. This journey recounts how, among abandoned buildings, mines transformed into tourist attractions, factories in Eastern Europe that have been reconverted to produce Italian cars, and the transformation of industrial cities and towns such as Sesto San Giovanni (the former Stalingrad of Italy) and Lumezzane (the “workshop” city of the Brescia area). The places, the images, the sounds. The director takes note and recounts by blending telephone calls, conferences, poems, old movies, commercials on Yugoslavian TV, Russian ballets, experimental performances. One sole flow that expands into multiple senses and directions. Just like a factory.
A new member has joined Eli and the Shane Gang! Junjie, once the protector of the Eastern Caverns, is a master of the slugslinging art of Slug Fu! But even with the power of five slingers, the Shane Gang find themselves in over their heads as they race across The 99 Caverns in search of the Legendary Elemental Slugs. The five Elementals are ancient slugs of great power, and the forbearers of all slugs found in SlugTerra today. In the wrong hands, they could bring Slugterra to the brink of destruction. So when an evil alliance starts hunting down the Elementals, Eli and his friends — old and new — take off in pursuit of the greatest threat their world has ever faced!
A former alcoholic returns home after ten years in prison for the murder of her husband. As her recollection of the murder returns, things take a different turn.
The Return is a 2016 documentary directed by Emmy Award winning director Erich Joiner chronicling Ford GT's return to 24 Hours of Le Mans after their 1966 1-2-3 victory.
Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.
A girl calls on her brother's imaginary friend to banish a mischievous boogeyman who has framed her for his pranks.
A former intellectual senator and his beautiful young wife have an obsessive relationship.
Bullied by classmates, a pudgy military-school student fights back by computer with the devil.
The camera was placed to encompass a set of the backstage dressing room of a burlesque show. There are three chorus girls and one featured dancer in the dressing room as the film starts. A man in evening attire, accompanied by a waiter with a tray, several glasses, and a bottle of champagne, is ushered in by the doorman. The rest of the film is devoted to the group as they drink and carouse until the man walks over to wall telephone and makes a call. While he is talking on the phone, one of the chorus girls throws the champagne bucket at him, ending the film.
Our hands cannot resurrect. Set amongst the shadows of a grainy, dystopian landscape, We Are Without is a visual response to life, death and self-delusion...
A large mansion with centuries of history is home to a wealthy but very conservative family that still chooses the grooms for brides-to-be. One day Milda, trembling with fear, decides to present her next groom to the household.
How kids survive in the neighbourhood, between the "Cholos" and the "Metaleros" gangs. Each to their own high and by whatever means is necessary to achieve it.
Takeshi Murata and Christopher Rutledge continue their playful investigation of both the sharp-edged hyperrealism of commercial CGI and its oozing, anarchic breakdown in Larry, which propels its titular character—a droopy-eyed canine baller—through a series of increasingly bizarre and messy loops. Set to a soundtrack of maxed-out electronic rhythms, these vignettes form a ludic study in morphology and motion, as its pooch protagonist continually vaults, multiplies, gets buckets, and dissolves into digital goo.
Seventeen year old Nikki Rathore is suffering from an incurable heart condition and requires a heart transplant. Her parents Ajay and Shreshta, along with her grandfather Colonel (Dr) Rudraksh Banerjee are almost desperate. Transplant surgeon Dr Sameer promises to carry out the surgery as soon as a donor becomes available for her. Inexplicably, Sameer seems to be drawn closer and closer to Nikki and even starts visiting her quite often while the wait continues. Some events from the past surface to further complicate the situation. In a private conversation, Rudraksh even proposes that he is ready to donate his heart if somehow Sameer can make it happen. One night, the police control room receives a call from someone who tells them he is about to become brain dead. He suggests they set up a green corridor for the transplant. Who is this person? Why does he want to save Nikki at the cost of his own life? The mystery unfolds as the past catches up with the Rathore family.