Two close sisters, Myah and Beth, struggle with their differences in life and in the older sister's mentally abusive marriage, until the complacent lives of Beth and their married friends are shaken to the core by a tragedy that they are all forced to face.
"Let's Get Loud" was Jennifer Lopez's NBC Special, which premiered on November 20, 2002 and was recorded over 2 nights in Puerto Rico in the fall of 2001. It was Jennifer's first-ever headlining concert appearance, showing off her talents as a vocalist and dancer. The performance features a variety of Spanish and English songs, including: "Love Don't Cost A Thing", "If You Had My Love", "I'm Real", "Plenarriqueña", and many more.
Bus driver Stan Butler agrees to marry Suzy, much to the anguish of Mum, her son-in-law, Arthur, and daughter Olive. How, they wonder, will they ever manage without Stan's money coming in? Then Arthur is sacked, and Stan agrees to delay the wedding. Meanwhile, he hits on an idea: Arthur should learn to drive a bus. Somehow he does just that, and even gets a job. Stan then blackmails the Depot Manager into giving him the job of driver on the new money-making Special Tours Bus. A great idea ...if only the inspector hadn't taken Stan on his trial run to the Windsor Safari Park
On July 9th GCW presents Fight Club Houston straight from Premier Arena in Houston, Texas. The lineup is almost completed, check it below: AJ Gray vs Bryan Keith Nick Gage vs Sadika Joey Janela vs Dante Ninja Mack vs Jack Cartwheel Effy vs Gino Jimmy Lloyd vs Carter Lucha Scramble .... more to be added soon!
Following a fatal boating accident, in which one of his students dies, Gintaras, a champion yachtsman, swears off the sea, quits sailing and withdraws into himself.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
Montage of some of David Daniel’s best stratcut animation sequences.
Documentary about the making of American Pie (1999), American Pie 2 (2001) and American Wedding (2003).
Hayflower starts her summer holiday on a badminton camp which is ruined by Cynthia, a runaway chicken. Quiltshoe makes a new friend, Anita, who, to everyone's surprise, turns out to be a chicken. Under the leadership of constables Bellybutton and Goggleclock, a big chicken hunt is launched.
In a night of killer comedy, Bill Burr hosts a showcase of his most raucous stand-up comic pals as they riff on everything from COVID to Michael Jackson.
Dramatization of the scandalous, long-time love affair between the powerful but married publisher and the chorus girl he helped turn into a Ziegfeld star and 1930s film personality.
Part Texas Chainsaw Massacre, Part Friday the 13th Part III, a quintet of young adults heads to a former "research facility" in the country. At a gas station on the way, they hear about a series of murders in the area of the research facility from 25 years ago that have remained unsolved, but they head on, undaunted. Shortly after they arrive at the farm-like setting, violence ensues. Is it the work of the killer from 25 years ago?
"Everything happens for a reason" - on his 50th birthday, Lenny Vincent is fired from his job as a sports writer for a daily newspaper, his wife of 19 years leaves him for a much younger man and he and his best friend Dave are caught in a gang heist at a restaurant. He ends up being hi-jacked by the gang and dumped in a rural village. Here he befriends the local chief and embarks on the adventure of a lifetime; helping to reunite the chief's warring sons, fighting a money grabbing property company from turning the chief's land into a golf course, coaching the village soccer team and ultimately.. finding himself!
Two 16mm films simultaneously project images of Le Corbusier’s iconic white Villa Savoye outside Paris, and its doppelgänger, a black copy located in Canberra, Australia. Each film has been printed on 16mm stock as a negative image, or polarity print, thus reversing light and dark. The Antipodean black Villa Savoye is, in fact, an ethnographic institute, dedicated now to the digital duplication of its extensive collections of anthropological films, photographs, slides and sound recordings, as Siegel reveals in a high definition colour video. The work enacts the infinite loop of recorded artefacts—the urgency to document and record “vanishing” rituals and cultural practices becomes instead the contemporary archival impulse to copy vanishing media formats to digital. These concatenated elements extend the artist’s engagement with architecture as a foil, enacting and revealing across constellation-like works, layered sociological and aesthetic concerns.
A man wakes up in an endless white void, unable to remember how he got there, he soon encounters an A.I. who takes the man through old memories of himself until he realizes his tragic purpose in the white room.