Katyar Kaljat Ghusli is a 2015 Marathi film based on a play by the same name. Directed by Subodh Bhave, the film stars Sachin Pilgaonkar, Shankar Mahadevan, and Subodh Bhave in lead roles. The film marks the acting debut for Mahadevan and directorial debut for Bhave. The original play premiered in 1967 in Mumbai, where Hindustani classical vocalist Vasantrao Deshpande played one of the protagonists. In 2010, the play was relaunched with protagonists essayed by Rahul Deshpande, grandson of Vasantrao Deshpande and singer Mahesh Kale. The film's music is composed by Shankar–Ehsaan–Loy, and retained some of the songs from the original play composed by Jitendra Abhisheki.
Passing all four seasons for a day, she is on her way back. And then, she falls into a peaceful sleep with a cozy feeling that doesn't exist anywhere.
Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate
A man lurks the night alleys, killing people at random, he feels nothing, no emotion, and no pain; when he meets a graceful widow he must confront what it means to be human.
On the 20th anniversary of their edgy little 90's cable show Underground Entertainment, the authors, along with many SF, horror and B celebrities in cameos, remember how they pushed the envelope, shocked, entertained, but also introduced the audience to many movies, comics and conventions.
Lu has a perfect life. Or so she pretends to have. She meets the handsome, short-tempered Argentinian, Diego, who is on a visit to Mexico, and she is confident to get him head over heels in love with her. In order to win a wager with her friends, her life will take a turn when she does the impossible to win him over, including taking a trip to Argentina to look for him.
A look at the transport system in the South Wales Valleys and how it effects peoples livelihoods and everyday lives.
A new school year, his brother Rodrick teases him over and over and over and over again. Will Greg manage to get along with him? Or will a secret ruin everything?
At an old age, a former political prisoner is determined to find out where his fellow sufferers have laid since their secret execution, while Taiwan embarks on a tumultuous path of democratization.
In a pub in Madrid's downtown, a group of workmates meets to celebrate a birthday party. There, the singular characters share their opinions about education, maternity and other matters about life. In the middle of that, Lucía tries to behave normal, but in her head, there is only one thing: She may be pregnant and if it's confirmed, she would be forced to face one of the most difficult decisions: became a mother or not. A story about maternity, friendship, and identity.
Broadway partners Vicky Lane and Dan Christy have a tiff over Christy's womanizing. Jealous Vicky takes up with her old flame and former dance partner, Victor Price, and Dan's career takes a nosedive. In hopes of rekindling their romance and getting Vicky back on the boards with him, Dan follows her to a ritzy resort in the Canadian Rockies, where she and Victor are about to open their new act. But things get complicated when Dan wakes after a bender to find that he's hired an outlandish Latin secretary, Rosita Murphy, which makes Vicky think he's just up to his old tricks again.
This musical version of the tale of the boy who wouldn't grow up aired live on television on March 7, 1955. It was so popular that it was restaged the following year, and again four years later.
Based on the true story of Louis "Red" Deutsch. A New Jersey bar-owner is plagued with prank phone calls that prompt him to flip into psychotic, profanity-laden rages.
Game of marbles between four or five boys.
Radiation oncologist and choreographer Dr. Niraj Mehta seeks to heal cancer through movement.