Cult filmmaker Tom DeSimone (Reform School Girls; Erotikus: A History of the Gay Movie) revisits the production of a lost gay film and resurrects youthful adventures on the California coast. From the creators of Raw! Uncut! Video!.

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

When '80s B-movie icon Tim Thomerson wakes up one day to realize the acting roles are not coming his way any more, he sets out on a quest to find his former co-star Lance Henriksen to discover his secret of Hollywood longevity and gets more than he bargained for in the process.

Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.

The movie is a fictionalized account of a disgruntled cop who has been wrongly implicated in a torture video that went viral. It begins on his last night of duty, as he is about to leave for abroad for better job prospects.

A feisty five-year-old girl Lotta decides to move away from home. And no, she doesn't want to put on the stupid sweater.

David McDoll is a selfish and wealthy man living an enviable lifestyle in his large villa and collecting fancy cars. However, his life is about to be changed forever when he inherits his six grandchildren. His glamorous lifestyle quickly becomes complete chaos. But he will learn a valuable lesson that teaches him about placing family first and discovering a newfound appreciation for life.

After failing in his love life, Dev finds company in alcohol. In his state, he often sees an old man who gives him hints on how his day is going to turn out. One day, he accidentally bumps into a young boy from a shelter home. He realises there is an uncanny similarity between the boy and his ex-girlfriend, so he decides to get to know the boy further only to uncover something Dev didn't wish he knew in the first place.

Conventions of civility among family members are severely strained by the very real breakup of the bonds between them. During a few days at a vacation home, Katha, a woman in late middle age, tries to cope with an influx of discontented, disconnected relatives. Her divorced daughter brings all sorts of people to the house, including a woman-friend accompanied by her psychotic son; the grandfather of the house is convinced he is dying and is satisfied by nothing; and some friends drop off their angry teenage son to stay with her, while they go on a long trip abroad. Her friend Emma doesn't help much with keeping a lid on things, as she is a social worker who is fascinated by the awfulness of these situations.

Mother dies, and child is delivered to an orphanage. Will she find a home? And what about her birth father, he's out there somewhere... Adaptation of a 1971 telenovela.

Ascendancy is a 1983 British film. It tells the story of a woman who is a member of the British landowning 'Ascendancy' in Ireland during World War I. Gradually, she learns about the Irish independence movement, and becomes involved with it.

Using a 1945 Charlie Parker song, American indie animator, George Griffin greets us with a dizzying dance of torn Pop Art images. Shreds of consumer culture flash before us, swayed and absorbed by the tempo and power of Parker's horn.

Set in a new mining town in the Donets Coal Basin, it centres on a clash between the young miners, the political establishment, and a religious cult lead by a devious Pentecostal evangelist infiltrated into the community who tries to make the workers fall under his influence.

A group of wannabe ghost hunters set out to shoot a pilot in the old Hewitt house which is rumored to be haunted, faking everything, and get more than they bargain for. Eventually, things begin to happen at the house that cannot be easily explained. Is the house really haunted? Can anyone be trusted? We are at our most vulnerable when presented with our greatest desires or confronted with our greatest fears.

The first human being follows a psychedelic path down to understand fundamental awe, the fear of god and the unspoken pain, that holds him captive.