“Re-Existence” is a documentary about migration stories of individuals from the Brazilian queer community.
A man lurks the night alleys, killing people at random, he feels nothing, no emotion, and no pain; when he meets a graceful widow he must confront what it means to be human.
Exploring the relationship between man and technology, this day-in-the-life story concentrates on a computer programmer, inundated by technology, living a secluded lifestyle in Laurel Canyon with his two dogs. He struggles to maintain any real connection with friends, colleague or family, outside of communicating with them over the phone or computer.
Sounds as witnesses. They blurr into memories, half-dreams, it is undecided if they are real or not. A fluctuation between imagination and reality.
Asa is a film which tries to show the confrontation between the dance of a body, the gesture of filming, editing, and moreover, between the sensitive surface of the film and the texture of skin in light.
Ermus Daglek, retired Empathtek engineer, commandeers a defunct factory where he creates androids based on persons from his past and recreates a dinner party where he lost the love of his life - until they malfunction and escape.
Lu has a perfect life. Or so she pretends to have. She meets the handsome, short-tempered Argentinian, Diego, who is on a visit to Mexico, and she is confident to get him head over heels in love with her. In order to win a wager with her friends, her life will take a turn when she does the impossible to win him over, including taking a trip to Argentina to look for him.
Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.
Animation created in Flash and After Effects looking at mans relationship with the natural world.
緊急救助隊員の男は、危険渦巻くバンコクの裏社会の住人たちから命を狙われてしまう。次々と降りかかる危険から生き延びるため、男の壮絶な戦いが幕を開ける。
This documentary looks at the Danish resistance movement's execution of 400 informers during the Nazi occupation and the ensuing cover-up.
When a plane crashes at sea, dolphins rescue a little boy and raise him as family. He lives a carefree life beneath the waves until an evil monster seizes power over the underwater world. Banished to dry land, the boy is taken in by a kind-hearted captain. With his new companion's help, the boy embarks on a journey to solve the mystery of his true identity.
ある男へカバンを渡す任務を受けたマヌは、親友のジャン･ギャブを誘い、盗んだ車で出発する。すると、車のトランクに巨大なハエが閉じ込められているのを発見。ハエに“ドミニク”と名付け、訓練して一儲けしようと企む２人だったが、車がガス欠になってしまい任務は一向に進まない。そんな時、マヌのことを幼馴染だと勘違いしたセシルと出会い、彼女の家に招かれる。そこでは、脳に障害を持つセシルの友人アニエスたちが泊まっていた。自分の素性と“ドミニク”の存在を隠しながらセシルたちと過ごすマヌとジャン･ギャブだったが…。
Willy the whale is back, this time threatened by illegal whalers making money off sushi. Jesse, now 16, has taken a job on an orca-researching ship, along with old friend Randolph and a sarcastic scientist, Drew. On the whaler's ship is captain John Wesley and his son, Max, who isn't really pleased about his father's job, but doesn't have the gut to say so. Along the way, Willy reunites with Jesse
Ultra Music Festival 2015. In the middle of the pouring rain. Dash Berlin wrote history surprising the crowd with one of the most emotional, powerful and energetic sets the festival has ever seen and proved to be right at home at the big main stage.
What do we do when the Federal Government steps outside of its constitutional limits? Do we ask federal judges in black robes to enforce the limits of federal power? Do we "vote the bums out" in the hopes that new bums will surrender their power? Thomas Jefferson and James Madison didn't think so, and neither should we. The rightful remedy to federal tyranny rests in the hands of the people and the States that created the federal government in the first place. It's called nullification, and it's an idea whose time has come.
Uma Thurman boogies, Harvey Keitel whips out his gun, Hitler’s head is sliced in half. And Quentin Tarantino sits serenely through it all, impervious to the mayhem he’s created.
When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.