春秋戦国時代の中国。天下の大将軍を志す少年・信（しん）は秦の若き国王・えい政（えいせい）と運命的な出会いを果たし、ともに中華統一を目指すことに。魏との戦いに勝利をおさめた彼らのもとに、秦に対して積年の恨みを抱える隣国・趙の軍隊が攻め込んでくる。えい政は長らく戦場から離れていた伝説の大将軍・王騎（おうき）を総大将に任命。王騎から戦いへの覚悟を問われたえい政は、かつての恩人・紫夏（しか）との記憶を語る。100人の兵士を率いる隊長となった信は、王騎から「飛信隊」という部隊名を授かり、別働隊として敵将を討つ任務に挑むが……。
The Loud family travel to Scotland and discover they are descendants of Scottish royalty as they move into their giant ancestral castle.
Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.
Fausto and Esther childhood was tormented. Fausto, trying to escape from his father. Esther, mistreated by her brother-in-law. They both begin to be involved in a supernatural situation. Over which they have no control.
His parents captured by the Baekje armies, prince Eo-jin infiltrates the enemy castle alone to seek revenge. His plot is ruined when he falls in love with a princess there and is forced to choose between betraying his parents and nation or the woman he loves.
Polish animator Anna Błaszczyk’s humorous short—a collage of drawing, cut-out, and computer animation—was inspired by Stanisław Lem’s 1961 novel Return from the Stars, a time-paradox tale of an astronaut who returns to Earth after many years away.
雄大な自然広がるノルウェーの山間部で、環境破壊を気にも留めないトンネル工事の爆破によって「ある存在」が目覚める。
バイオレンスな殺し屋の世界と世界をまたにかけるスパイの世界を、スタイリッシュに融合したキング・アクション。復讐に燃える暗殺者にマギー・Q、完璧なる護衛者にマイケル・キートンがそれぞれ扮している。
A young man returns home for the weekend to discover the difficulty of juggling friends, parents, magic mushrooms and several thousand chickens.
Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.
Seven years ago, Zaid went to war against the Copenhagen underworld to avenge his dead brother. His identity as a respected doctor of cardiology and life as a family man is but a fading dream, and in prison Zaid suffers the loss of his son Noah, whom he barely knows. When a police agent approaches Zaid and offers him a deal to be released in exchange for infiltrating the Copenhagen underworld, he sees his chance to reclaim the remnants of the family life he left behind. But everything has a price, and Zaid realizes that he has now seriously endangered his son's life. After all, once you become part of the underworld, is there any way out?
Rich and powerful Simon Qing has been schooled in the ways of sex by his virile father, but is still a virgin. That is, until he meets his first love Violetta who has fun with him all over his father’s estate. Their love does not last, so Simon embarks on a journey. Along the way he meets the comely nun Moon whom Simon deflowers and then marries. He then becomes enamored of Golden Lotus but she is married to dwarf Wu Da-Lang.
A short, graphically dynamic work contrasting contradictory views of perception and interpretation, by way of society's assumptions vis-a-vis phallocentrism and fetishism.
"Behind every strong man is a strong woman!", Mumine shouts as her husband is arrested. She has 4 children, she's in her mid-30s, and she's the wife of a Crimean Tatar political prisoner. Muslim Crimean Tatars have been oppressed for a long time. They were deported under Stalin, allowed to return under Gorbachev, and since the occupation of Crimea in 2014 under Putin, they are being persecuted again. "Return" is a portrait of Mumine and Maye, two strong women struggling with the consequences of oppression. Their traditional understanding of their role as women does not stand in the way of their dedication. They possess strength, beauty and dignity. Only in their most intimate moments, they are overwhelmed by desperate helplessness.
After reading an article about hypnotic regression, a woman whose maternal grandfather died when she was only three years old contacts the hypnotic subject named in the article believing that he is the reincarnation of her grandfather, and hoping that she can learn the truth about how he died.
A dystopian coming-of-age movie focused on three kids who find themselves in an abandoned amusement park, aiming to unite whoever remains. With dangers lurking around every corner, they will do whatever it takes to survive their hellish Neverland.
After participating in a séance, young Laura begins to behave strangely. Alarmed, her parents ask Father Olmedo, one of the few exorcists authorized by the Vatican to intervene in cases of demonic possession, for help.
Erstwhile Special Forces operative Doc Alexander is asked to broker a truce with the Mexican drug cartel in secrecy. When Oklahoma Governor Richard Jeffs celebrates the execution of a high-ranking cartel member on TV, his Chief of Staff and Doc inform him about the peace he just ended. But it’s too late, as Cuco, the cartel’s hatchet man, has set his vengeful sights on Doc’s daughter Dixie.
San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.