Rachel, a religious and single woman in her forties, gets a lift from Haim - a secular and married farmer, and father of six. This encounter leads to the birth of Yair. Thirty years later, hoping to understand the secret affair that brought him to this world, Yair takes two separate trips with his parents: his dad takes him on a pleasure cruise, during the Israel-Gaza 2014 conflict, while his mother flies with him to the Ukraine, following the lives of "Great Hebrew Authors." Yair is now exposed to two completely conflicting narratives, which make up one story - funny, whacky, full of lies, grandeur, wretchedness - and love.

An exploration of the origins of memes, how they spread, and the stories behind some of the most popular “human memes” like Ermahgerd Girl, Overly Attached Girlfriend, and Chocolate Rain Guy.

クズ男に沼る4人の女性たちを描いた舞台を映画化

A two-disc collection capturing the remarkable performances by arguably the greatest and most genuine talent to emerge in British music in decades, garners the strong and enduring relationship that Amy enjoyed with the BBC. It stands as further proof of quite what an extraordinarily talented, completely original, and truly engaging performer Amy was.

In July 2010, Laurent Fignon, the great cycling legend, commented on the Tour de France. Although the two-time tour winner of the 80s has incurable cancer, he follows as a reporter day by day the entire race. His doctor should treat him medically during the tour. After facing each other in disgust, the two men develop more understanding for each other from stage to stage. For Laurent, ending this tour means upholding life, even though broadcasting efforts are reducing the chances of a successful life-prolonging therapy.

Two teenagers from a remote religious community travel to town in search of shelter after being told by their Evangelical parents that an asteroid will soon destroy the earth.

Nostalgic comedy about medical students circa 1905.

A seven-year-old Idaho farm boy struggles to escape boredom while wearing a cardboard box over his head.

Traveling cowboy gets involved in political issues in a town he passes through. Also a romance.

The building of blast furnaces Magnitogorsk and the Kubas Basin by Komsomol, the Communist Union of youth, as part of Stalin’s first five-year plan.

Jennah, a young teenager, is growing up. While the relation with her mother is difficult, she discovers her femininity.

Two Turkish brothers find themselves on opposite sides of the political fence. When one of the brothers is murdered, the boys' father suspects that his surviving son was instrumental in the killing. Celebrated film director Elia Kazan returns to his acting roots in a key supporting role.

日本初の360度回転シアター・IHIステージアラウンド東京のこけら落としとして2017年3月から1年3カ月にわたり、豪華出演陣を迎え5シーズン6作品に分けてロングラン上演された「劇団☆新感線」による舞台「髑髏城の七人」の第4シーズン「Season月」をデジタルシネマ「ゲキ×シネ」作品として映画館上映。若手中心のキャストをメインに据えた「月」では新感線初となるダブルチームを編成し、「上弦の月」「下弦の月」として交互に上演された。「下弦」では捨之介役の宮野真守、天魔王役の鈴木拡樹をはじめ、廣瀬智紀、木村了、松岡広大ら新感線初参加組のほか、羽野晶紀、千葉哲也らベテラン勢が出演。戦国時代末期、運命的な再会を果たした3人の男たちを軸にさまざまな人びとが織り成す物語がケレン味あふれる演出で描かれる。

33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "​33 1⁄3 revolutions per minute."

In the ancient theater of Delphi, against the backdrop of the ruins of the Temple of Apollo, musicAeterna, conducted by Teodor Currentzis, performs Ludwig van Beethoven’s 7th Symphony, in conjunction with a new choreography by Sasha Waltz and her company.