The precise portrait of a woman who is present and fey at the same time, who is as tired as she is courageous and who seems to have surrendered and empancipated at once.

間違って友だちのノートを持ち帰ってしまった少年が、ノートを返そうと隣村へと走る! キアロスタミ監督の名を世界的なものにした作品で、通称“ジグザグ道3部作”と呼ばれる作品の第1作。

For more than a century the great colonial powers put human beings, taken by force from their native lands, on show as entertainment, just like animals in zoos; a shameful, outrageous and savage treatment of people who were considered subhuman.

1990年、イラン北部で起きた大地震は、1987年に製作された映画『友だちのうちはどこ？』を撮影した村とそこに住む人々にも容赦なく襲いかかった。地震後、映画監督のキアロスタミは映画に出演した兄弟の安否を確認するため、息子を連れて被災地へ向かい…。

ピレネーの小村。教師の娘マリーは農園主の息子ジャックと共に、生まれたばかりのロバに“バルタザール”と名前をつけ可愛がる。ある日ジャックが引っ越すことになり、バルタザールもどこかへ行ってしまう。10年後、バルタザールが再び現れ、マリーが喜んであちこち“彼”に馬車を引かせ出かけるのを見て、彼女に思慕を寄せる不良のジェラールは嫉妬し、バルタザールを痛めつけ、実家のパン屋の仕事にこき使う・・・。

Follows a woman as she becomes fully awake.

An old shepherd lives his last days in a quiet medieval village perched high on the hills of Calabria, at the southernmost tip of Italy. He herds goats under skies that most villagers have deserted long ago. He is sick, and believes to find his medicine in the dust he collects on the church floor, which he drinks in his water every day.

The film follows Kaspar Hauser (Bruno S.), who lived the first seventeen years of his life chained in a tiny cellar with only a toy horse to occupy his time, devoid of all human contact except for a man who wears a black overcoat and top hat who feeds him.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

廃線が決まった北海道のローカル線・幌舞線の終着駅である幌舞。駅と運命をともにするかのように定年を迎えつつある駅長の乙松は、どんな時にも仕事を休んだことのない筋金入りの鉄道員（ぽっぽや）だった。十数年前、生まれたばかりの娘が亡くなった日も、約2年前に妻が病に倒れた日も、休むことなく駅に立ち続けた。周囲は彼の定年後をあれこれと心配するが、そんなある日、彼は偶然から見慣れぬ少女と親しくなる。

軍隊という管理下に置かれた人間のやりきれない気持ちをコメディ・タッチで描いたアメリカンニューシネマの佳作。基地の募金箱から40ドルぽっちを盗もうとした罪で8年の実刑が決まったダメ水兵を下士官2人が休暇気分で護送することになる。3人はやがて奇妙な連帯感で結ばれていくが……。

Through his work at a morgue, an incarcerated young man trying to build a new life starts to come to terms with the crime he committed.

In a quiet little French town, two detectives are tasked with investigating the brutal rape and murder of a preteen girl.

A young man is sent to "La Maca," a prison in the middle of the Ivorian forest ruled by its inmates. As tradition goes with the rising of the red moon, he is designated by the Boss to be the new "Roman" and must tell a story to the other prisoners. Learning what fate awaits him, he begins to narrate the mystical life of the legendary outlaw named "Zama King" and has no choice but to make his story last until dawn.

A moment after a bottle of white shoe polish pours on Jerry, Tom hears on the radio that a white mouse, having swallowed an explosive, has escaped from an experimental laboratory and that slightest jar of the mouse could cause it to explode and blow up the entire city. It is then that Tom notices now-white Jerry and concludes it's the escapee.

Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.

In the hope of a big score, two junkie couples team up to commit various drug robberies which go disastrously wrong, leading to dissent, violence, and murder.

A Russian emigre prides himself on the way he's molded himself into a real Yankee in the USA, though the world he lives in, New York's Lower East Side in the late 19th century, is almost exclusively populated by other Jewish immigrants. When his wife finally arrives in the New World, however, she has a lot of assimilating to do.

世界中にその名を知られる、国民的大女優ファビエンヌが、自伝本「真実」を出版。海外で脚本家として活躍している娘のリュミール、テレビ俳優として人気の娘婿、そのふたりの娘シャルロット、ファビエンヌの現在のパートナーと元夫、彼女の公私にわたるすべてを把握する長年の秘書─。“出版祝い”を口実に、ファビエンヌを取り巻く“家族”が集まるが、全員の気がかりはただ一つ。「いったい彼女は何を綴ったのか？」そしてこの自伝に綴られた＜嘘＞と、綴られなかった＜真実＞が、次第に母と娘の間に隠された、愛憎うず巻く心の影を露わにしていき―。