Year 2006: Bebek, Alen, and Tifa come together to pay tribute to their old band, one and only - Bijelo Dugme (White Button). They performed in Toronto, Atlanta, Chicago, and New York City, in front of thousands.
In the fall of 1940, British Prime Minister Winston Churchill ordered a small team of scientists on a clandestine transatlantic mission to deliver his country’s most valuable military secret — a revolutionary radar component — not to the U.S. government, but to a mysterious Wall Street tycoon, Alfred Lee Loomis. Using his connections, his money, and his brilliant scientific mind, Loomis and his team of scientists developed radar technology that would arguably play a more decisive role than any other weapon in the war.
On March 25, 1911, a catastrophic fire broke out at the Triangle Waist Company in New York City. Trapped inside the upper floors of a ten-story building, 146 workers - mostly young immigrant women and teenage girls - were burned alive or forced to jump to their deaths to escape an inferno that consumed the factory in just 18 minutes. It was the worst disaster at a workplace in New York State until 9/11. The tragedy changed the course of history, paving the way for government to represent working people, not just business, for the first time, and helped an emerging American middle class to live the American Dream.
Vikas comes from a poor family, and is attending college so that he can complete his studies, get a job, and financially look after himself and his dad. He meets with wealthy Asha at this college, and after a few misunderstandings, both fall in love. Vikas' dad passes during the exams, and Vikas leaves to attend the funeral, and is unable to complete his studies. Asha feels sorry for him, and arranges to get him employed with her dad, which he does so, not knowing that his employer is Asha's dad. Asha's dad wants her to get married to Ashwini, and he soon announces their engagement. Ashwini finds out that Asha is in love with Vikas, and arranges an accident for Vikas.
Four twenty-something women, crammed into a small Manhattan apartment, have dead end jobs (or no job) and overdue rent. They discover cash and self esteem when they set up an illegal bookie joint in their kitchen. Suddenly they can pay their bills; they imagine joining the middle class; they even make corporate donations to charity. The film also explores their relationships with men, most of whom are unfit for anything lasting, and with their mothers, who appear in surreal, imagined conversations with their daughters.
Machine Soul is a documentary film about Finnish Electronic musicians. It is a glance at the methods, rituals and philosophy behind the music, but most of all at the burning passion that drives the artists forward year after year. Electronic music is discussed from the point of view of the artists. What are their early influences? How did their style develop? What has been the role of their environment? It is a form of music that is often perceived as cold and lifeless by outsiders, but in the eyes of the artists it is a multifaceted and soulful way of life. The movie is not an overview of the Finnish Techno scene nor a chronicle. Many of the artists are virtually unknown in Finland, but have a large fanbase outside their home country. Machine Soul is a homage to the pioneers and newcomers of the Finnish Electronic music scene.
A former FBI agent must stop a crazy man from blowing up bombs.
Based on the novel by L. P. Hartley, The Hireling is a dissection of antiquated but hardly dormant British class distinctions as a lonely socialite and her chauffeur become more than friends.
HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.
An ordinary man takes revenge only to find it's made him the target of a major crime lord and his army of psychopaths and professional killers.
LOOKING LIKE MY MOTHER is a film about family relationships and personal destiny, about realizing one's own potential and one's limitations. It traces the individual experience, showing the emptiness one can feel as well as the discovery of a sense of meaning in life. It is a very personal and courageous film that doesn’t search for scientific explanations but instead uses documentary and fictional material to weave an intimate biography. This combination of perception and memory suggests a deep reconciliation and allows tender feelings of a mother’s love to emerge.
Barry and Susan O'Brien are a young married couple who have just inherited a house. They love their beautiful new home, and decide to throw a party. The party is partly to show off their new digs and partly because Barry, an actor, wants to butter up the producer of a soap opera in hopes that his character won't be killed off. But the O'Briens soon discover that they have to worry about death in the real world too, because a flock of demons is hiding out in one of the closets, waiting to be released.
Tragedy doesn’t come any more Dickensian in tone or Shakespearian in scope than this dark social drama of the disintegration of a little family of four. A series of small debts triggers the swift domino effect that unleashes chaos on a well-meaning working class dad who has the bad judgment to speak truth to power.
Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.
Bhanwar, a simpleton young man in the rural Rajasthan wants a bride for him but gets duped. Instead of a woman, he is married off to a transgender person – Sanwri. Having no resort Bhanwar and his uncle decide to keep Sanwri for their household work but fearing the social ostracization they also try to keep her actual identity a secret. Bhanwar and Sanwri eventually fall in love and fight to survive as a couple in a conservative, oppressive society where marriages are meant to take place only between a man and a woman, and traditional norms are more important than humanity.