音に反応し人間を襲う”何か”によって荒廃した世界で、生き残った1組の家族がいた。その”何か”は、呼吸の音さえ逃さない。誰かが一瞬でも音を立てると、即死する。手話を使い、裸足で歩き、道には砂を敷き詰め、静寂と共に暮らすエヴリン＆リーの夫婦と子供たちだが、なんとエヴリンは出産を目前に控えているのであった。果たして彼らは、無事最後まで沈黙を貫けるのか？

SPARTA is the Agricultural Poetized Association for the Development of Labor Activity. This is how the commune calls itself, which has been engaged in the development of the "Theory of Happiness" in the Ukrainian village "Karavan" for more than 20 years. Unable to reconcile with the collapse of communist utopia, the "Spartans" created their own.

This movie portrays the drug scene in Berlin in the 70s, following tape recordings of Christiane F. 14 years old Christiane lives with her mother and little sister in a typical multi-storey apartment building in Berlin. She's fascinated by the 'Sound', a new disco with most modern equipment. Although she's legally too young, she asks a friend to take her. There she meets Detlef, who's in a clique where everybody's on drugs. Step by step she gets drawn deeper into the scene.

Nicky Nelson is a fast-talking sideshow barker with a wax-and-alive concession on Atlantic City's boardwalk. Even with the band of his friend, struggling musician Gene Krupa, playing on the sidewalk to attract the customers, "The Living Corpse" and other low-rent acts aren't enough to lure the seen-it-all boardwalk strollers, and the landlord closes the show in lieu of never-paid rent. Nicky, always promoting, goes to Stephen Hanratty, head of the pier's Dance Pavilion, to plug Krupa's band as an attraction, but Hanratty won't even listen to them. But, while there, he meets singer Lily Racquel, who knows he is a phoney but might have the ability to to talk a radio-station manager into giving her an audition. She gives him a ring to help finance the project; he promptly loses it in a crap-game.

When you look into the screen, it is possible to believe that the images that are projected on it come from within us. The images captivate, but even so, they cause us bewilderment. For a moment, it may seem that everything is intertwined, but then, disorder arises again. The digital world is revealed as a labyrinth, created in our form and likeness.

A decade after the death of an American TV star, a young actor reminisces about the written correspondence he once shared with the former, as well as the impact those letters had on both their lives.

フィラデルフィアに住む元国連職員ジェリー・レインは、妻と長女レイチェルと次女コニーを学校に送るため自動車に乗っていたが、いつもとは様子の違う交通渋滞にはまってしまう。人間を狂暴化させる謎の疫病が世界各地で流行し始めており、フィラデルフィアの街はゾンビの大群に襲われていた。ジェリーは街を離れるが、携帯電話へ国連事務次長ティエリーから連絡が入り、現場への復帰を要請される。

The third film in the saga of the unlucky clerk Ugo Fantozzi, played by its creator, Paolo Villaggio.

過去に父親から勘当された残酷でサディスティックな貴族クルト・メンリフが、遺産を取り戻すために一族の城に戻ってくる。

The director tells the story of Boris Grebenshchikov through the image of Leo Tolstoy. According to Viktor Tikhomirov, both heroes are similar "in their delusions and achievements". The film has a lot of chronicles and, of course, Grebenshchikov's songs sound, and George Gunitsky described the tape after its premiere at Pushkinskaya 10: "A completely untethered and insanely surreal film in a good way. And it is gratifying that all this postmodern film improvisation is involved on a cool aquarium basis. We need to look at the picture again once or twice, get a better understanding of it. And savor it. A very worthy work."

1987年マドリッドの暑い夏。著名なジャーナリストでありながら、年老いてすっかり情熱を失くしたミゲル。彼はインタビュー取材のため、カフェで仕事をしながら相手を待っていた。取材をしに現れたのはジャーナリスト志望の女子学生。彼女の美貌と若さに一目で心を奪われたミゲルは彼女を部屋へと誘い込むが、ひょんな事からふたりはバスルームに閉じ込められ…。＜閉鎖された空間で交錯するインモラルとエロティシズム―。親子ほどに年の離れた男女の関係をリアルに描いた官能作。＞

ユーリー・ガガーリンは、3,000人を超える空軍パイロットの中から選ばれた20人の宇宙飛行士候補の一人だった。彼は仲間たちと競い合いながら想像を絶する訓練を経て、ついに宇宙へと旅立つ栄誉を手にする。そして迎えた1961年4月12日、ガガーリンはソ連製宇宙船ボストーク1号に乗り込み、人類初の有人宇宙飛行に挑む。

The film follows a petty rock band called the Winners, consisting of vocalist Joey Winner, bassist Jennifer, guitarist Tyler, drummer Sam, and French-Canadian roadie Hugo, along with their sleazy manager Jeff, as they tour across Canada and the USA after Jennifer is turned into a vampire by Queeny. Meanwhile, a vampire hunter who is afraid of the dark named Eddie Van Helsing quickly chases them down.

F/X man Rollie Tyler is now a toymaker. Mike, the ex-husband of his girlfriend Kim, is a cop. He asks Rollie to help catch a killer. The operation goes well until some unknown man kills both the killer and Mike. Mike's boss, Silak says it was the killer who killed Mike but Rollie knows it wasn't. Obviously, Silak is involved with Mike's death, so he calls on Leo McCarthy, the cop from the last movie, who is now a P.I., for help and they discover it's not just Silak they have to worry about.

1本のビデオテープを盗み出す仕事を依頼された若者たち。忍び込んだ家には大量のテープと死体があった。目的のビデオを探すため1本1本再生していくと、そこに映っていたのは──

A group of teachers must defend themselves from a gang of murderous kids when their school comes under siege after hours.

Following the death of his brother John, Robert Kennedy is forced to rise to the challenge of leading his country and carrying on his brother's vision of what America could be.

The 27-year old intern at the psychiatry wards Sophie, who’s just graduated from med school, faces the cruel reality and learns the story of the 45-year-old resident of the ward, Mrs. Erme. The professor, Sophie’s mentor and the medical administrator of the facility, sees Sophie’s obsession with her faces and brings the two women together. As the doctor-patient relationship develops, Sophie learns that Mrs. Erme shares her obsession with her face, and furthermore, discovers that Mrs. Erme’s illness is closely connected to this obsession. Through investigation and the torture of her own dreams, Sophie learns that Mrs. Erme had a son, who at the age of ten died from chicken pox, while his mother was too afraid to ruin her face by getting infected by the disease.