In Los Rios enroute to Los Angeles, Carol makes an urgent call to her father, Dr. Mark Sloan, pleading for help. Arriving in the small, seemingly pleasant mountain town, Mark investigates but the whole community denies knowing anything about his daughter and her husband. Dr. Sloan, however, soon uncovers enough evidence to make him believe that his daughter and son-in-law may have met a tragic end.
A man with social anxiety gets followed by a naive and clumsy creature. Terrified the man tries to escape, unaware that the creature is actually a helper with slightly unconventional methods.
UFC 225: Whittaker vs. Romero 2 is an MMA event produced by the Ultimate Fighting Championship held on June 9, 2018, at the United Center in Chicago, Illinois.
The story of a 40-year-old married woman who has fallen into idleness and does not know how to approach the revolutionary events in her country. She finds a new meaning in life when she falls in love with an aspiring young student. “I shot FAGR YOM GUEDID in 1964. I count it among my best films and still stand by it completely. It is about the class whose assets were nationalized after the 1952 revolution. I explored the question of whether this class still had a place in Egyptian society.”
From the Tea Party Movement to State Legislators, the American people are drawing a line in the sand. On what side of it will you stand? Has the government our Founders created been forgotten by Washington DC? Is a Patriot Uprising ready to capture the spirit of 1776? "Don't Tread On Me: Rise of the Republic" gives the viewer a look into the movements, mindset, and legislation that will catapult the "Great Restoration" into households across America. What is the choke-collar the Federal Government uses to reign in the States? Are the States sovereign or subjects of Washington DC? What did the Founders foresee and how did they seek to protect us from a tyrannical government?
The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..
This is the entire set from Norway's Øya Festival in Oslo.
“Each of you is an ambassador, and we are sure that each of you will be the best ambassador of our country.” This is how the film begins; a speech to emigrant workers for France. Salah left his three sisters and his mother to become an ambassador, going to work on a Defense site, wading in the mud, he works with a jackhammer. Salah wanders in search of work and housing. Coming up against racism from the owners claiming the respectability of the building and the good neighborhood, he finds himself in a hotel in the Goutte d'Or district. The body of Mehdi, friend of Salah, was found in the Canal Saint-Martin, murdered by a fascist commando, and Ali died of a bullet, killed by a racist janitor. Faced with crimes that remain unpunished, Salah and his friends organize, unite with the French working class to defend their lives and their right to work.
Baddegama or, more correctly, Beddegama is a 1980 award winning Sinhalese language film directed by Lester James Peries that follows the lives of village people in British Colonial Sri Lanka. The film is based on the 1913 book titled as "The Village in the Jungle" by Leonard Woolf.
Oklahoma mechanic Pike Peters finds himself part owner of an oil field. His wife Idy, hitherto content, decides the family must go to Paris to get "culture" and meet "the right kind of people." Pike and his grown son and daughter soon have flirtatious French admirers; Idy rents a chateau from an impoverished aristocrat; while Pike responds to each new development with homespun wit. In the inevitable clash, will pretentiousness and sophistication or common sense triumph?
As the star of his church choir, there's nothing that brings Billy more joy than the opportunity to sing for an audience. However, as his desire to perform grows, the stalwart youth finds that waiting until Sunday to get his fix just simply isn't enough. Going against the advice of his pastor, Billy follows his girlfriend into the world of secular entertainment, joining the local community theatre troupe. There, Billy is introduced to a whole new world, where his fellow thespians dabble in drugs, sexual perversion, and table-top game-play. Yet, for all the newly minted depravities Billy encounters, none could prepare him for the darkest truth of them all: The theatre group is actually a front for a Satanic cult intent on raising Dracula from the grave!
After his loved ones betray him, a man in his 30s goes to a lakeside cabin to hide from the world. But instead of finding peace, he has to deal with a kooky neighbour, a missing drowned man, a crook on the lam, a stripper who hides out with him, and the cop who’s madly in love with her and looking for her with murderous ardour.
On June 7, 1996, Oscar De La Hoya fought Mexican legend Julio César Chávez (96–1–1) for the Lineal & WBC Light-welterweight championship. De la Hoya, with a record of 21–0 with 19 K.Os, defeated Chavez by a fourth round TKO. The fight was stopped due to a bad cut suffered by Chavez. Until their rematch in 1998, Chávez stated that De La Hoya did not defeat him since the fight was stopped. De La Hoya successfully defended his titles with a twelve round unanimous decision against undefeated former WBC Lightweight Champion and number one light welterweight contender Miguel Ángel González (41–0–0).
This documentary explores the development and survival of a small, yet highly active, metal scene in the Caribbean island of Puerto Rico. Heavy metal music seems completely out of place in this setting when examined in the context of the island’s culture and history. Still, a local metal scene has existed during the past 30 years despite the challenges faced, and continues to thrive. How have they done it? That is what the film explores by focusing on the role of their strong communal ties that help them critically assess questions related to national identity, language, colonial politics, religion, gender, social transgression, and survival. You will never see the Caribbean in the same way...
A collection of John Farnham's video clips from 1966 to 2003