A young photographer's home is haunted by it's former residents.

17세의 차바는 그 나이 또래들과 비슷한 평범한 학생이다. 하지만 비가 오는 날 차에 태워준 커밍아웃한 게이인 카를로스와 친해지게 되고, 그에게 점점 끌리게 되는데...

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

강박적인 엄마와 함께 아픈 오빠를 간병하느라 평범한 삶은 꿈도 꾸지 못하는 10대 소녀. 그리고 뜨거운 생명 관련 논쟁의 한복판에 선 요양병원에서 시위 중인 별난 남자. 이 둘의 세대와 성별을 초월한 특별한 우정을 그린 로라 친 감독의 반자전적인 영화

쥬라이 황가의 계승자라는 직책까지 버리면서 사랑을 위해 하루나를 데리고 지구로 떠나온 요우쇼의 꿈은 그만 지구에 도착하기 일보직전에 하루나가 병사하면서 끝나버린다. 하루나에 대한 사랑의 마음은 여전했지만 언제까지나 죽은 사람만을 생각하며 살수는 없는 법. 결국 요우쇼는 이후 이츠키를 만나, 아치카라는 딸을 낳고, 그 아치카 (텐치의 어머니) 가 노부유키 (텐치의 아버지)를 만나 텐치를 낳게 된다. 그러나 요우쇼가 젊은 시절 하루나를 위해, 하루나가 못다본 지구를 볼 수 있게끔 가는 곳마다 심었던 하루나의 상징 나무 (쥬라이 사람은 자신의 나무를 하나씩 가지고 있음)인 동백나무를 심었던 것이 이 모든 슬픈 사랑 이야기의 시발점이 되어버리는데...

‘방우조’(오경)가 이끄는 등반대는 에베레스트 최정상을 정복하지만 예상치 못한 사고로 모든 증거를 잃고, 세상은 그들을 외면한다. 모든 걸 걸었지만 동료와 명예 그 무엇도 지켜내지 못했다는 상실감에 ‘방우조’(오경)는 삶의 의미를 잃고 방황하게 된다. 그로부터 15년 후 다시 한번 에베레스트에 오를 등반대 모집 소식에 그는 사랑하는 여인이자 기상학자인 ‘서영’(장쯔이)의 도움으로 새로운 동료들과 함께 그날의 모든 것을 되돌리기 위한 마지막 도전을 시작하게 되는데…

Jessica Fletcher, lecturing at a writers' conference, finds herself called on to solve the killing of a guest speaker, an arrogant Russian author who'd written a nonfiction, tell-all book about his tenure as head of the KGB.

A group of students are preparing works for an art exhibition, they belittle a myth that "Any inanimate object that resembles a living thing, is not just a dead-object"

Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.

Summer in Tyrol (Danish: Sommer i Tyrol) is a 1964 Danish comedy film directed by Erik Balling and starring Dirch Passer.

Teresa und Patricia are best friends. Despite the big differences between date-experienced Teresa and romantically predisposed single-mother Patricia, they have one thing in common: they have enough of bad dates and are sick of stupid dudes, bad surprises and broken hearts. When Teresa meets the neurotic programmer Anton, who is completely inexperienced in the field of romance, they come up with a genius business idea: together with the womanizer and start-up founder Paul, they develop an app with which potential dates can be categorized. In this manner, users can paint a picture of what they're getting themselves into. However, quite quickly they find out that people can't be easily fit into boxes and that matters of the heart shouldn't be left to an algorithm...

A grieving young inventor finds solace in repairing an antique typewriter.

어린 시절부터 알고 지낸 친구가 극단주의자가 되다니. 친구의 선택에 충격을 받은 텍사스 이슬람교도 청년들. 그의 과거와 미래에 대해 복잡한 심정을 털어놓는다.

Lucía (Belén Rueda) is a woman for whom leading a model life and taking control of her life is the most important thing. Since she got married, she has focused all of her efforts on caring for her family, until achieving what for her is a perfect family. However, her entire world begins to collapse with the arrival of Sara (Carolina Yuste), the girlfriend of her son; a young girl with great freedom and without mincing words who has a very different family from what Lucia always dreamed of as a political family. Now, Lucia must accept that the perfect family was not exactly what she thought.

Catch the spark after dark at Disneyland Park. And say farewell to one of the Magic Kingdom's most celebrated traditions - The Main Street Electrical Parade. Where else, but in The Main Street Electrical Parade, could you see an illuminated 40-foot-long fire-breathing dragon? And hear the energy of its legendary melody one last time? It's unforgettable after-dark magic that will glow in your heart long after the last float has disappeared.

A diegetic history of the secret Plus Ultra society from Disney's Tomorrowland movie. Animated by Pixar artists, narrated by Maurice LeMarche as Orson Welles, directed by Brad Bird, and written by Brad Bird, Damon Lindelof, and Jeff Jensen. Originally previewed in an unfinished form at the Walt Disney Pictures panel at D23 Expo 2019, first released in two halves on the Take Me To Tomorrowland promotional website. Originally intended to be placed within the film as a multimedia dark-ride attraction when young Frank Walker plunges beneath "it's a small world", it was cut and then appended as a pre-film short in a limited number of cinemas during its theatrical release. The option to play this short before the film is presented on the physical home video releases of the film.

Brothers Ryan and James find themselves at the center of a criminal conspiracy.

As a film director works on his submission for a film festival, the mounting issues during production reveal what truly unfolds behind (the scenes) what we've seen.