Year 2006: Bebek, Alen, and Tifa come together to pay tribute to their old band, one and only - Bijelo Dugme (White Button). They performed in Toronto, Atlanta, Chicago, and New York City, in front of thousands.
A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.
Carriage Trade was an evolving work-in-progress, and this 61-minute version is the definitive form in which Sonbert realized it, preserved intact from the camera original. With Carriage Trade, Sonbert began to challenge the theories espoused by the great Soviet filmmakers of the 1920’s; he particularly disliked the “knee-jerk’ reaction produced by Eisenstein’s montage. In both lectures and writings about his own style of editing, Sonbert described Carriage Trade as “a jig-saw puzzle of postcards to produce varied displaced effects.” This approach, according to Sonbert, ultimately affords the viewer multi-faceted readings of the connections between individual shots. Preserved by the Academy Film Archive in partnership with Estate Project for Artists with AIDS in 1998.
A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.
The investigation of a kidnap leads Gabriel to the French village of Rennes-Le-Chateau where a dark and sinister mystery lies ready to be solved...
Een vijftienjarige jongen die nog maar enkele maanden te leven heeft, mag één wens vervullen van de Dreamscape Charity. Maar David wil niet naar Disneyland of Gary Neville ontmoeten; wat hij echt wil is een uur alleen met een naakte vrouw.
Good and bad characters are stuck in a ski chalet near buried Nazi gold in the Alps.
Based on the novel by L. P. Hartley, The Hireling is a dissection of antiquated but hardly dormant British class distinctions as a lonely socialite and her chauffeur become more than friends.
A colorful music and dance tribute to the peasants and workers of Brazil.
After years of killing for a man only known as "The Boss", Serena is burnt out. When she is hired for one final job, she teams up with an underground renegade group to stop her replacement from executing the assassination.
A chance meeting between an Assistant Scientist, Shekar, and an established stage dancer and singer, Anjana, results in love. While Shekar has a mother who lives separately, Anjana has been orphaned at an early age. Shekar's mom approves of Anjana, and both get married. Anjana stops her involvement in dancig and singing, and both spent the next several months on relative harmony. Then Anjana finds that Shekar is spending more and more time in the laboratory than with her, and she decides to take up dancing and singing, which does not auger well with Shekar. Arguments ensue, and both decide to live separately. When Shekar's mom comes to visit Shekar, both he and Anjana compromise to live together to fool his mother. Will they succeed in pulling wool over her eyes?
1916. De gevangenis van Devil's Island wordt beschouwd als de zwaarste ter wereld. De gevaarlijkste veroordeelden zitten hun straf uit in onmenselijke omstandigheden. Een van hen is Le Bras, een moordenaar die ter dood is veroordeeld door de guillotine, die van plan is een bewaker te vermoorden, in de overtuiging dat een nieuw proces zijn aanstaande executie zal uitstellen. Davert, een celgenoot, houdt hem echter tegen, terwijl er tegelijkertijd een algemene amnestie wordt goedgekeurd die alle doodvonnissen omzet in levenslange gevangenisstraf. Dankbaar voor wat hij heeft gedaan, betrekt Le Bras Davert bij zijn plannen om het eiland te ontvluchten, iets dat nog nooit is gelukt.
Natsu, the older of two sisters, has a relationship with Yonosuke, the local kimono trader. Unlike her more conservative sister Oshichi she tries to use sex as a means to climb to a better social position. To even attempt that she first needs to get out of the Buddhist monastery she is working at...
Due to a traumatic childhood experience Anna is estranged from her family and hasn’t returned home for many years. With her ailing grandmother and only living relative, Lucy, suffering from increasingly worse symptoms of dementia, Anna moves home to look after her. Soon after, strange things begin happening. Though benign at first, events soon escalate into a nightmarish fight for her life against a malevolent presence. She discovers the ordeal is linked to a dark family secret, a tragic past that’s haunted Anna her whole life… and Lucy’s fading memories could be the key to solving the mystery and surviving the nightmare.
The alien asks Korneliy Udalov to help him repair the spaceship, but the resident of Velikiy Guslyar is completely incompetent in this matter.
Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.
Sam Bo is a good-for-nothing gambler who loses more often than winning. His wife Hyun Jip takes care of the household and brings home the money. Her outstanding beauty and charm bring her a bevy of neighborhood admirers who are willing to provide her with anything she desires. The neighborhood women go up in arms when they realize their husbands are contributing to Hyun Jip's funds in exchange for her services. They try to run her out of the village but in vain. Sam Dol, the local farmhand, is known for his sexual prowess and his latest target is Hyun Jip. But when she continues to turn him down, he takes revenge on her by telling her husband what she has done.