The little Puppy, on the advice of the crafty Cat, is trying to find out who he is - a hunting dog, a guard dog or a diver? It turns out he doesn't know how to do anything. But he finds a lost slipper for the owner and realizes that he is loved for who he is.

A portrait of the filmmakers Bärbel Freund and Karl Heil like a song in its changing verses, the locations were chosen according to mood and season: in spring, in snow, in Venice, in the flat, alone and together.

A young German actor, Niklas, is preparing the biggest role of his lifetime to be filmed in Sarajevo, where a screenwriter, Selma, is living in the shadow of the Bosnian War. After Niklas arrives only to learn that his big break has been cancelled, he decides to stay in Sarajevo for New Year’s Eve, where he crosses paths with Selma. Their worlds collide, and the two experience a night together that will change their lives forever.

On Christmas Eve, two young women are stranded when their car breaks down.

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

A man and a woman wake up in a hospital room. She's a nurse, he's a patient. Problem: a large metal object on his back. While the woman tries desperately to escape, the man experiences an inner struggle on the borderline of dream and reality. What has happened before?

27.000 Fotos von Leichen und gefolterten Körpern in Haftanstalten des syrischen Regimes wurden 2014 von einem mysteriösen Deserteur mit dem Codenamen „Caesar“ veröffentlicht. Aufgrund der geopolitischen Interessen einiger Länder und der Gleichgültigkeit anderer Nationen weigert sich die internationale Justiz, das Regime von Bashar Al Assad strafrechtlich zu verfolgen, das für Verbrechen verantwortlich ist, die an Nazi- oder Khmer-Barbarei erinnern. Der Film, der zwischen 2016 und 2020 in fast vier Jahren in ganz Europa gedreht wurde, erzählt die Hintergründe und Wendungen von Ermittlungen und Verfahren, die zur Ausstellung von Haftbefehlen gegen die höchsten Beamten der Regierung von Bashar al Assad wegen Verbrechen gegen ihn führen werden Menschheit.

In this satire, a group of modern-day Americans are captured by a WW2-era Uboat, with a sinister cargo, bound for NYC.

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

Félix Mayol performs The Trottins Polka (La Polka des Trottins, by A. Trebitsch and H. Christine) in this phonoscene by Alice Guy. This early form of music video was created using a chronophone recording of Mayol, who was then filmed "lip singing". Guy would film phonoscenes of all three major Belle Époque celebrities in France: Polin, Félix Mayol, and Dranem.

The film’s hero, Ilyich, cannot understand what’s wrong with him. Ilyich is a for- mer “mole”, an external observation agent in the KGB, then FSB. A skilled instructor. Now he is retired. From loneliness, he continues to watch those who catch his attention and curiosity. The doctor diagnoses him with empty sella syndrome (the syndrome of an empty Turkish Seat), which poses no danger for society... One day new neighbours move in, a young couple of musicians, and Ilyich’s life changes...

A young woman living on a Caribbean island is searching for her father who is lost at sea. When her estranged family come to help, she must confront their dark past and this new family she never expected to embrace.

It’s 1942, and Portugal languishes under dictatorship and WWII rages just beyond its borders. Secrets, half-truths, and mistrust prevail in the state security office of chief inspector Varga, who makes professional privilege a cover for his unprofessional interest in a boldly carnal refugee and her alleged brother. Director/writer Saboga (screenwriter for Raúl Ruiz’s MYSTERIES OF LISBON) saturates the dark world of this predatory tale with steamy eroticism and paranoia, starting with the incestuous desires of his bi-curious adolescent daughter and including the family maid.

James Mink is a black man in Canada who has built a very successful livery business, and enjoys a white wife and a beautiful daughter, Mary. An excellent match is arranged with an American businessman, but when he takes his new wife Mary across the border his true character emerges - he sells her into slavery. James and Elizabeth must go to Virginia to rescue their daughter.

A preternatural spirit that haunted Jon (Corey Feldman) as a child is summoned by an ill-conceived séance to liven up a party only to unleash a litany of horrors and murders on the participants and anyone in his way.

A father searches for the drug dealer responsible for his daughter's death. He kidnaps who he believes is the girlfriend of one of the thugs; the woman turns out to be an undercover agent of the DEA, who will help him carry out her revenge.

Bhanwar, a simpleton young man in the rural Rajasthan wants a bride for him but gets duped. Instead of a woman, he is married off to a transgender person – Sanwri. Having no resort Bhanwar and his uncle decide to keep Sanwri for their household work but fearing the social ostracization they also try to keep her actual identity a secret. Bhanwar and Sanwri eventually fall in love and fight to survive as a couple in a conservative, oppressive society where marriages are meant to take place only between a man and a woman, and traditional norms are more important than humanity.