For some guys it's easier to deal with their toy race cars than it is to deal with women...
Walter Pfeiffer tries to make some money by publishing a political newspaper for which people pay to get their article printed
This short subject is a lavish costumed color production which dramatizes the birth of the American Bill of Rights. It depicts leading political figures of the American Revolution and the despotic British colonial rule which led to the creation of the Bill of Rights.
The adventures of a legendary hero who, dazzled by the beauty of a princess in the hand asks. This imposes several trials he emerges victorious. Only death will eventually bring the two young men.
Animation, also of a new order in the recent series of short works. Mostly on black space, the figures in blue perform a very compact and jewel-like opera in surreal form, again to Satie’s piano music. Ideally, the film should be projected on a 30" wide white card sitting on a music stand, center stage of a large auditorium or music hall, with sound from the projector piped into the big speaker system. The film is most effective this way, but can be shown normal-size also
During summertime, Nahuel moves to his friends to spend vacation time together. Between drinks, weed and foolish games, sexual tension starts to raise, but none of them dares to take the first step.
Following the outbreak of the war in Ukraine, Denys is forced to leave his country. He has nothing left but the hope of seeing Dmitrii, a young recruit of the Russian army.
A disconnected family find themselves at a hospital. The father is in urgent need of a kidney transplant and all of the family members are compatible donners. This situation brings back old conflicts between them, all to settle with an odd reconciliation.
Audrey and David wash their dirty linen in public while debating the question : "How much is too much?"
A psychological portrait of a disturbed man whose fragmented thoughts and experiences form the framework of an experimental narrative.
The Garden Ape enthusiastically explores a wild city garden.
The band, Sexual Detergent, has been through a lot of ups and downs in its rise to the top of rock stardom, but their lowest point was when Neil Davis, its former front man, almost destroyed the dream. This episode of 'Rock Hard: The Rise and Fall and Rise of Sexual Detergent,' delves into what really happened, including exclusive interviews with Neil Davis, and the people who witnessed these tragic events firsthand.
On the night their favorite bar closes, Eden, Crystal, and Ibtissame, three young black and arab queer girls, experience strange events: Crystal mysteriously disappears, kidnapped by a purple star. Eden starts looking for the one she loves, until she discovers that Crystal is trapped in another fantastic and strange world...
Luis, an orphan boy selling marzipan on the streets, meets Mariana, an impulsive and energetic girl. As the years go by they remain connected, and will experience the bouncing of a lifelong friendship.
Clara looses one tooth while sleeping. Swallowed by a gigantic mouth, she enters an underground world where a Surreal Sci Fi advertising invites her to "ELECTRODENT" a clinic that promises to fix teeth... but not only.
The love story begins when a young prince hunting in the forest chases a squirrel to a beautiful princess.
A darkly comedic look at a couple who must defuse a bomb in their apartment.
A young lieutenant must persuade a captive resistance fighter to betray his comrades, or enforce a law which states that for every German soldier killed, one hundred civilians must be executed.
Maniac Summer consists of images and sounds recorded in Paris in the summer of 2009. It is a sprawling triptych without a beginning or end and with no specific subject or topic. The camera is positioned in front of a window and left running. It observes movements, registers noises coming from the street or nearby park, captures Chantal Akerman going about her business in her apartment: smoking, working, talking on the telephone. Fragments from the artist’s everyday life are featured in the installation’s central video, while the adjoining panels are more symbolically charged; in them, various images from the former have been isolated, modified and repeated. These abstract afterimages act as a kind of memory, looking back to the images in the installation’s centrepiece as so many shadows of its reality.