'Studie IV' (1955) by Peter Weiss portrays a liberation process. The main character moves between different rooms, rooms of significance for him, dragging something that constantly changes form but eventually turns out to be himself. It is an old and consumed I that disappears from him.

In this Oscar-winning short film, grieving parents journey through an emotional void as they mourn the loss of a child after a tragic school shooting.

A riff on Bunuel's classic, Lorne Michaels commissioned this Zbigniew Rybczynski work for NBC's The New Show, as a satiric look at the January 27th, 1984 White House reception for the Soviet Ambassador.

Early experimental film from Zbigniew Rybczynski that broke new ground in the use of pixelation, optical printing, animation and other compositional film devices. Beautiful jazz score and color usage.

Another commission by Lorne Michaels for NBC's The New Show, this short film follows the attempts of a thirsty rotating cosmonaut to imbibe his wine.

An old woman remembers her life and the strange shadow figure that has followed her through it.

When Jimmy is left alone in his house he discovers an old mask and decides to scare his parents upon their arrival home. Hiding in their bedroom closet he could not expect what he would see and the terror that would overtake their lives.

A short documentary about one of the best independent cinemas in the UK.

Made at the Royal College of Art in the last year of my MA using Photoshop mainly. I'd been watching cartoons and silent comedy shorts from the 20's and felt like doing some character animation.

In 1960, Utrecht University took over the Studio for Electronic Music from Philips. In this studio in Utrecht, composers and artists worked on their own compositions. In 1961, Jan Vrijman made a film about Karel Appel, De werkelijkheid van Karel Appel, and Appel himself made a musical composition for this film in the studio in Utrecht. Van der Elsken films and photographs Appel during the composition of his Musique Barbare, as well as recording conversations on tape; the film is in fact a kind of collage of film, photographs and sound. As well as an exceptional record of Karel Appel’s working process, this film is a unique documentation of the studio and therefore a significant piece of Dutch musical history.

The film begins with a close-up of a table in a restaurant covered with a checkered cloth, in a composition that strongly suggests a still life. It lingers there for a long time before beginning a slow outward zoom. All the while we overhear poorly recorded snippets of conversation. We see hands move in and out of the frame, lifting glasses and tapping cigarettes. We recognise Edie Sedgwick by her signature dancer's tights and jewellery. The group discuss a recent trip to Tangier; the conversation returns frequently to past and upcoming travel. At one point, a whole, uncut pineapple is delivered to their table, despite the fact that they are in an Italian restaurant: it is not meant to be eaten, but to evoke the possibility of adventure in exotic, semi-imaginary lands.

A couple goes on a date when an old friend passes by and talks about her sorrows

A case of mistaken identity leads to a heated confrontation between a young Black man and two law enforcement officers.

Descending into a cave, two men seek answers to a book of unknown horrors. What will they find and will their sanity prevail?

An experimental horror film told entirely from above the bathroom sink.

Animated short film presented at the Annecy International Animation Film Festival in 2000 by students of GOBELINS, l'école de l'image.