Hugo Chavez was a colourful, unpredictable folk hero who was beloved by his nation’s working class. He was elected president of Venezuela in 1998, and proved to be a tough, quixotic opponent to the power structure that wanted to depose him. When he was forcibly removed from office on 11 April 2002, two independent filmmakers were inside the presidential palace.

This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastovers refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.

A hilarious introduction, using as examples some of the best films ever made, to some of Slovenian philosopher and psychoanalyst Slavoj Žižek's most exciting ideas on personal subjectivity, fantasy and reality, desire and sexuality.

You Can't Be Neutral documents the life and times of the historian, activist and author of the best selling classic "A People's History of the United States". Featuring rare archival materials, interviews with Howard Zinn as well as colleagues and friends including Noam Chomsky, Marian Wright Edelman, Daniel Ellsberg, Tom Hayden and Alice Walker.

This short film displays the dynamic movement of people as they enter and exit parks in Paris.

An in-depth documentary about the making of David Cronenberg's feature film, Cosmopolis (2012), an adaptation of Don DeLillo's novel of the same name.

A documentary exploring the rise and fall of 80s skateboard legend Mark "Gator" Rogowski.

Examines the history and legacy of the photo Guerrillero Heroico taken by famous Cuban photographer Alberto Díaz Gutiérrez. This image has thrived for the decades since Che Guevara's death and has evolved into an iconic image, which represents a multitude of ideals. The documentary film explores the story of how the photo came to be, its adoption of multiple interpretations and meanings, as well as the commercialization of the image of Ernesto "Che" Guevara.

Chuck Close, an astounding portrait of one of the world's leading contemporary painters, was one of two parting gifts (her second is a film on Louise Bourgeois) from Marion Cajori, a filmmaker who died recently, and before her time. With editing completed by filmmaker Ken Kobland, Chuck Close lives the life and work of a man who has reinvented portraiture. Close photographs his subjects, blows up the image to gigantic proportions, divides it into a detailed grid and then uses a complex set of colors and patterning to reconstruct each face.

Robert De Niro, Sr., was a celebrated painter obscured by the pop-art movement. His life and career are chronicled in the artist's own words by his contemporaries and, movingly, by his son, the actor Robert De Niro.

Michôd and Peedom's hour-long documentary recounts the tale of Andrew McAuley, an Australian adventurer who, in 2006, launched a quest to become the first person to paddle a kayak across the treacherous Tasman Sea, one of the loneliest and toughest stretches of water in the world.

A sensitive portrait of Sabine Bonnaire, the autistic sister of the french actress Sandrine Bonnaire.

Blackout is a short, animated documentary about the 2003 power failure in much of the eastern seaboard of the U.S and Canada for up to 4 days.

What if, instead of bombs, we dropped watermelons? Dreamy and hopeful, this animated short sweeps us up into a colourful world where layers of reality and creativity intersect. Our protagonist navigates through it all seamlessly, and in the process shows us the importance of imagination.

When the global economy collapses the only true victors are those that weren't invited to the boom. Petey plays in a band and works in a pornography warehouse; Ginger works the night shift in a bar. From opposite coasts of the country, the two provide their personal takes on individual vs. collective crisis, together weaving a narrative that exposes a wasteland of shattered economic dreams, unfulfilled social promises and a bleak reality that only music and friendship can float freely above.

The alien abduction phenomenon, told by those who experienced it, with the weight of a Pulitzer Prize-winning Harvard psychiatrist at their back.

Filmed with irony, the film describes brief moments in the lives of tourists, workers, and local vacationers around the construction of an artificial beach somewhere in the Caribbean.

The Head of a Pin reveals the awkward ruminations of the filmmaker and her friends as they attempt to learn about nature. Starting out as an examination of the differences between urban and rural life, between the daily grind and summer vacations, the film turns unexpectedly into a portrait of what happens when city dwellers encounter a country spider.

After a twenty year period of multiple illnesses and injuries, the filmmaker turns the camera on herself as a way to analyze her chances for a happier, healthier life. In the process, she captures the frustration, tedium and petty annoyances of a revolving-door relationship with the medical establishment, while portraying the complicated web of emotions that accompany any medical problem. With humor and honesty, The Odds of Recovery uses the filmmaker's medical history as a means to address a perennial human problem: the desire to avoid conflict and deny the need for radical change.

This short documentary tells the intensely personal story of Namrata Gill – one of the many real-life inspirations for Deepa Mehta’s Heaven on Earth – in her own words. After six years, Gill courageously leaves an abusive relationship and launches a surprising new career.