A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

An in-depth look at the prison system in the United States and how it reveals the nation's history of racial inequality.

After Marta had decided to become a nun at a young age, filmmaker Maud Nycander followed her and her family for ten years.

Profile of British fashion designer Alexander McQueen.

A semi-fictionalized documentary about a day in the life of Australian musician Nick Cave's persona.

This character-driven film considers the evolving sex trafficking landscape as seen by the main players: the exploited, the pimps, the johns that fuel the business, and the cops who fight to stop it.

"Solovky Power" is a documentary about the first Soviet labor camp created by Lenin in 1923. Solovky was established in a complex of ancient monasteries on a cluster of islands off the remote White Sea coast. Though its name derives from the Russian word for nightingale, the title of the film echoes the term 'Soviet power', stressing the fact that from the very beginning the Soviet penal colonies were a world unto themselves.

Focuses on the socialization of American females. It tells the story of six women and girls. The first film to emerge from the modern women's movement in the early 1970s.

In his early twenties, Sam Cagnina, oldest son of a Mafia hit man, meets Steven, a handsome 19-year old college student and they fall in love. Then, after a few years Sam offers Steven a "visionary" idea. What if they could find a woman who would fall in love with both of them and agree to live in a "trio" relationship? They spend the next 7 years dating and looking for that special woman. Finally, they meet Samantha, a young, struggling actress. THREE OF HEARTS explores this very unique trio union as they negotiate their living arangements, fall in love and open one of the hottest wellness centres in New York City. Everyone who comes in contact with them is never quite sure how the relationship works. But the one thing which seems certain is their love for each other.

"Há terra! is an encounter, a hunt, a diachronic tale of looking and becoming. As in a game, as in a chase, the film errs between character and land, land and character, predator and prey."

Documentary on one of Brazil's most controversial personalities: Getúlio Vargas, an ex-president.

This documentary, filmed over a 10-year period, centers on the debate over censorship as it follows Vancouver's Little Sister's Bookstore and its 20-year struggle with Canada Customs over the seizure of books. In the face of bigotry, bombings and repeated book seizures, it wages the most important legal battle in history against Canada Customs.

A documentary examining the mysterious deaths of three young Indigenous women in south-central Montana, featuring access to family members, tribal officials, law enforcement, and community activists.

The Indians that the British failed to subdue were called "born criminals" and were parked in camps. Yolande Zauberman's film tells the story of a family. The grandparents, Hira Bai and Serjian, grew up in the jungle. This is where their tribes lived, which the British were unable to subdue.

This playful video from famed director and photographer Tracey Moffatt turns the tables on traditional representations of desire to examine the power of the female gaze in the objectification of men’s bodies. HEAVEN begins with surreptitiously taped documentary footage of brawny surfers changing in and out of bathing and wet-suits. While the soundtrack switches between the ocean surf and male chanting, Moffatt moves closer to alternately flirt with and tease her subjects, who respond with a combination of preening and macho reticence.

At the age of seventeen, Irina Chistyakova looks back at an international concert career spanning ten years. Irina is the youngest of the four protagonists of the film Russia's Wonder Children made in 2000. By now seventeen years old, she is going through a drama that many prodigies experience: while they were children, they were able to stun audiences with the contrast of their delicate appearances and precocious talents. Like Irina, Nikita Mndoyants (18), Dmitry Krutogolovy (19), and Elena Kolesnichenko (25), are still showered with praise and distinction. But what price did they have to pay for it?

Documentary on the life and accomplishments of the members of this uniquely talented musical family. The film focuses on the Figueroa family’s history within the context of its creative universe, dating back to the 19th century. Through the use of photographs, historic film footage, recordings, sheet music, newspaper clippings, and posters, the musical trajectory of the family is brought to life and their role in transforming the musical history of Puerto Rico and the world is portrayed.

This short film recreates the experience of Sylvie, a battered woman who seeks shelter in a Montréal transition house. Faced with the threat of violence, loneliness, the lack of financial resources or information about services, the victim is often understandably reluctant to seek help. Emphasizing the importance for women of speaking out, the film also points out the role of the transition house in putting victims of abuse in touch with appropriate legal and social services.

Amá is a feature length documentary which tells an important and untold story: the abuses committed against Native American women by the United States Government during the 1960’s and 70’s: removed from their families and sent to boarding schools, forced relocation away from their traditional lands and involuntary sterilization. ​The result of nine years painstaking and sensitive work by filmmaker Lorna Tucker, the film features the testimony of many Native Americans, including three remarkable women who tell their stories - Jean Whitehorse, Yvonne Swan and Charon Aseytoyer - as well as a revealing and rare interview with Dr. Reimart Ravenholt whose population control ideas were the framework for some of the government policies directed at Native American women.

This documentary profiles iconic journalist Helen Thomas who has held a front-row seat at White House press conferences for more than 60 years.