Renowned for his precision and corrosive humor, Guillaume Wagner boldly tackles subjects such as homophobia, the evolution of our collective rituals and superficiality. Without falling into cynicism, he skillfully laughs at our individual and collective failings, without forgetting to include himself in the process. Winner of three prestigious awards for emerging artists, he has won over an already loyal audience that has been eagerly awaiting this very first show. As he says himself, Cinglant is a show for everyone, but not for everyone.
60 comedians in 60 minutes, that's what Kyan Khojandi has to offer tonight.
After three years of absence, Florence Foresti goes back on stage. She jubilantly tackles everyday absurdities, old age, disillusionment, death and relationships between men and women.
Jeff Dunham is back in his fourth concert event, with all-new material. All the favorites are here: Walter, the grumpy retiree; furry and manic Peanut; Jose Jalapeño, the spicy pepper from south of the border; plus bumbling skeletal Achmed the Dead Terrorist. Dunham is also joined by two never-before-seen characters certain to unleash their own unique havoc on stage.
She is a psychiatrist. He sells yogurts. They are neighbors of level, they hate each other cordially, and like millions of singles lost in the city, they furtively explore the dating sites in search of love - someone who would be just at the antipodes of this infernal character who saw the door next to it. And when, at the end of the day, they find their soul mates, they do not resist the pleasure of announcing it. History of bowing again ... The last?
Franck Dubosc and Stéphane Rousseau, after triumphing in Montreal and Nantes, throw the ropes at the Zenith in Paris for an exceptional show extended many unpublished sketches and their best TV drama. Accompanied many artists including Florence Foresti, Patrick Timsit, Anthony Kavanagh, Elie Semoun, Jonathan Lambert and Elisabeth Buffet they lead us to a hilarious show which links two hours, unpublished sketches, parodies and dances ...
Dans ce nouveau tour de piste, Larocque aborde des sujets qui ne sortent pas nécessairement de l’ordinaire mais, en revanche, l’angle qu’il utilise est intéressant. Courts, efficaces et toujours aussi punchés, tous ses numéros font mouche, et ce, sans exception. Dans Vu d’même, Sylvain Larocque est drôle, intelligent et surtout très pertinent. De tous les spectacles de l’artiste, celui-ci est sans aucun doute le plus achevé. Bref, c’est évident, l’humoriste est au sommet de son art. D’entrée de jeu, l’humoriste a tenu à remercier son public d’avoir osé venir le voir, et ce, malgré son apparence. «Je sais, je n’ai pas l’air d’un gars qui, après le spectacle, va aller gambader nu dans un champ de marguerites. Pas que je n’aime pas ça mais, quand ça fait deux fois que tu te fais arrêter par la police, tu comprends le message…» .