Two teen track stars discover first love as they train for the biggest relay race of their young lives.

Story of Miki Howard, an American R&B and Jazz singer, whose hits include "Ain't Nobody Like You" and "Ain't Nuthin' in the World."

It's 1957, and James Whale's heyday as the director of "Frankenstein," "Bride of Frankenstein" and "The Invisible Man" is long behind him. Retired and a semi-recluse, he lives his days accompanied only by images from his past. When his dour housekeeper, Hannah, hires a handsome young gardener, the flamboyant director and simple yard man develop an unlikely friendship, which will change them forever.

After 39 years together, Ben and George finally tie the knot, but George loses his job as a result, and the newlyweds must sell their New York apartment and live apart, relying on friends and family to make ends meet.

This film focuses on an aging starlette (Silvia Perez) was once an it-girl. She returns to her hometown for her niece's birthday party and has to deal with her conservative family who does not agree with her chosen lifestyle.

A Jury of Her Peers is a 1980 short film directed by Sally Heckel, adapted from the story by Susan Glaspell. A farm woman is accused of murdering her husband in early 1900's Midwest America. The film was nominated for an Oscar for Best Live Action Short Film.

Overeducated and underemployed, 28 year old Megan is in the throes of a quarterlife crisis. Squarely into adulthood with no career prospects, no particular motivation to think about her future and no one to relate to, Megan is comfortable lagging a few steps behind - while her friends check off milestones and celebrate their new grown-up status. When her high-school sweetheart proposes, Megan panics and- given an unexpected opportunity to escape for a week - hides out in the home of her new friend, 16-year old Annika and Annika's world-weary single dad Craig.

What are the rules that determine how attraction and desire are set free? Glances, unexpected smiles, confiding in unknown women. Long cherished fantasies, intimate friendships and unexpected meetings. In Volume 2 of the Sexual Tension diptych, Marco Berger and Marcelo Mónaco take us on a journey through the twists and turns of female seduction: two guests of a hostel become roommates (and more); a keen shop assistant helps a woman uncertain about what dress to buy; the outset of a great passion between two girls during a picnic, even though one of them has a boyfriend. In the film we also find a conversation about Woody Allen between a waitress and a woman, which goes too far; and two high-class escorts who discover that they are attracted to each other, when they are in bed with a client. The film finally shows what could happen, but never did happen, and will probably never happen, to two thirty-year-old women. Maybe it would be better not to have sex with people we love. Sex ...

On a visit to meet his girlfriend’s parents in a remote village in Tuscany, Primo is forced to prove his masculinity on a wild boar hunt.

Tabloid reporters are sent by their editor to investigate after the paper recieves a letter from a woman claiming an angel is living with her.

In the absence of their parents, Johnny and Jennifer are being brought up by their sister Tanya, an overdressed transvestite. Both kids mess up their pursuit of romance, and both look for ways to break away from the family home and become independent.

Mia, Lukas and Jonas always where like one heart and soul since their earliest childhood. Until three years ago when everything changed. Friendship became love that is well beyond all conventions. A Part of the society feels provoked by such kind of companionship and meets them with some lack of understanding to say the least. Even their parents aren't really fond of the situation. Once a year, the trio makes a trip. During which they try to let emotion flow as they come, not having to fear the reactions of others. Now there is the time again for such a trip. And that is where the film starts. After renting a mobile home the journey starts as usual. Only one thing different this time, Jonas was diagnosed with cancer in terminal state a few months ago. The three of them know that this might very well be the last trip they will ever make. Regardless, Mia and Lukas try their best for Jonas not to think of the inevitable. Sadly the vow to spend the last trip only in joy, fails.

In a small American coal town living in the shadow of a recent mining accident, the disappearance of a teenage boy draws three people together—a surviving miner, the lonely wife of a mine executive, and a local boy—in a web of secrets.

A young Shu Nian is a lonely kid who is living in an orphanage, where he hopes to find a good family that loves him. This is when Xie Yan, the son of a real estate magnate, adopts him. He worked as a page boy for him until Xie Yan went abroad to study. Six years later, Xie Yan returns home when he is 25 years old and is reunited with Shu Nian. Shu's secret crush on Xie Yan is revealed and Chaos occurs. Xie not being able to handle the situation due to his tendency of homophobia, sents Shu away from his sight. Soon after, Xie Yan realizes that Shu Nian is the only one who can help stabilize his temperament and gradually realizes his true feelings for Shu. However, many obstacles will appear between them.

Couples and Robbers is a 1981 English language comedy/crime film written and directed by Clare Peploe, starring Frances Low, Rik Mayall and Peter Eyre. Two couples -- one with all the riches that dreams are made of, the other with only dreams and schemes -- are brought together by the plotting of the poorer couple. A pair of newlyweds wander through the city streets, bickering about their poverty, until they are distracted by the opulent home of a lawyer. Impulsively, the couple makes off with the lawyer's vehicle for one night of extravagant indulgence. The film was nominated for an Oscar for Best Live Action Short Film.

A picturesque family vacation to the Ozarks goes sideways when a group of bull sharks show up just in time for the big fireworks festival that the town holds every year.

A young man prostitutes himself near the Bois de Boulogne (16th). A motorist stops; the young man rides and protects his client. Produced by Lesbian and Gay Pride Films, this film is part of a program of ten short films from a screenwriting competition launched in October 1995 on the theme of homosexuality in the time of AIDS.

In 1976 the British Government put an end to the special category status of prisoners from the Provisional Irish Republican Army, no longer treating them as prisoners of war, but as common criminals. Mairéad Farrell – on whose life much of the film seems to be loosely based – was the first woman Republican to be refused political status in 1976. By 1980, when the film is set, Margaret Thatcher was Prime Minister and doggedly resolute: “There can be no question of political status for someone who is serving a sentence for crime. Crime is crime is crime.” Silent Grace seeks to capture the struggle for the restoration of political status that was at the heart of prison protests in Northern Ireland – not just by the more celebrated male prisoners – but by a smaller number of women prisoners, led by Farrell, at the Armagh Women’s Prison.

When the fifteen year old Zara knocks on her teacher Gijs' door, she's just been abused and she has no one else to turn to. At least, that's what she tells her teacher. Gijs can't send her back to her home, but soon he regrets his decision. As the evening progresses, Zara spins a web of lies and deception around him.

Onder de tafel is a melancholic father-son tale which starts when Jacob hears that his father Kees has started drinking again. He needs to be picked up at the clinic where he is treated for alcoholism. Jacob takes his father to a bungalow park hoping to be able to connect with him at a place where they used to be a happy family. Kees does not recognize his son and the first chance he gets, he grabs a can of beer. Jacob realises that the only chance he has of reconnecting with his dad, is to drink together. And so they do.