Two teen track stars discover first love as they train for the biggest relay race of their young lives.
After his gay cousin dies from hepatitis, young Laurent, who lives with his best friend Carole, falls in love with Cedric, a plant scientist. He's afraid to inform his conservative parents that he is gay.
A single mother, plagued by the violent death of her husband, battles with her son's fear of a monster lurking in the house, but soon discovers a sinister presence all around her.
After 39 years together, Ben and George finally tie the knot, but George loses his job as a result, and the newlyweds must sell their New York apartment and live apart, relying on friends and family to make ends meet.
Leni takes Rafi to meet her family in Madrid. Leni's family is Jewish - mother, father, older sister and daughter, brother, and grandfather. Rafi is Palestinian, in Spain since age 12. Before her father returns from work, Leni reveals Rafi's origins. He accidentally drops a block of frozen soup out the flat window, probably killing a passerby. Leni initiates a cover-up and Rafi figures out the body is probably Leni's father. The body disappears and without telling the rest of the family what they know, Leni and Rafi organize a search for dad. Mom is sure he's having an affair. Leni's belly-dancing sister kisses Rafi. Her brother grabs a rifle to shoot the Arab. Can anything be put right?
A group of children, fleeing the war, is taken to Luanda accompanied by a nun. When they reach the aeroplane, 12-year-old N'Dala decides to leave the group and to reconnoitre the city. The nun then starts her unceasing quest for the missing boy. N'Dala, only carrying a textile bag and a doll made of wire, walks through the busy streets filled with people and traffic. Later he finds the tranquility of the island off the coast, where he meets the old fisherman Antonio, with whom he becomes friends. Not much later, he meets the lively, whimsical Zé, who is a little older than he is. N'Dala starts to experience the city and its inhabitants as increasingly forbidding and he would most like to return to the countryside from whence he came. Then he meets Joka, a fringe figure who persuades him to help with a robbery in exchange for money. With this film, Maria Joao Ganga wanted to provide a realistic sketch of the bitter political situation in Angola. One of her most important motivations ...
A Jury of Her Peers is a 1980 short film directed by Sally Heckel, adapted from the story by Susan Glaspell. A farm woman is accused of murdering her husband in early 1900's Midwest America. The film was nominated for an Oscar for Best Live Action Short Film.
Overeducated and underemployed, 28 year old Megan is in the throes of a quarterlife crisis. Squarely into adulthood with no career prospects, no particular motivation to think about her future and no one to relate to, Megan is comfortable lagging a few steps behind - while her friends check off milestones and celebrate their new grown-up status. When her high-school sweetheart proposes, Megan panics and- given an unexpected opportunity to escape for a week - hides out in the home of her new friend, 16-year old Annika and Annika's world-weary single dad Craig.
A woman's life is destroyed when she discovers that her husband has another family.
Five young Europeans (German, English, and Irish) try to find answers to life's questions in India and Thailand.
In the absence of their parents, Johnny and Jennifer are being brought up by their sister Tanya, an overdressed transvestite. Both kids mess up their pursuit of romance, and both look for ways to break away from the family home and become independent.
In a small American coal town living in the shadow of a recent mining accident, the disappearance of a teenage boy draws three people together—a surviving miner, the lonely wife of a mine executive, and a local boy—in a web of secrets.
Mildred and Doris are two middle-aged white women, from very different backgrounds, who become lovers and set up house together. Film explores the pleasures and uncertainties of later-life emotional attachment and lesbian identity in a culture that glorifies youth and heterosexual romance.
It is New Zealand 1959. Teen swimmer Alex Archer has to battle set backs, intense rivalry and personal tragedy in her bid to win selection for the 1960 Olympic Games in Rome.
A woman director is making a film about Billie Holiday. She wants to learn from her how to "feel" again, how to love again.
Helen lives in London with her father and her kids. John, her husband, is an aid-worker in Eastern Europe. He has been gone many months. Helen is desperately anxious that he should come home. Taking the kids to school one morning, she is killed in a car accident. She remains caught in limbo, trapped between life and death. Many miles away, in war-torn Eastern Europe, John is unaware that his wife has died. As Helen herself is unaware that she is dead. Thus begins, a four-day Odyssey: Grandpa and the kids must come to terms with Helen's death; John must travel across a war-torn land as he tries to reach home; and Helen must stand helplessly observing her own existence as it comes back to haunt her - until at last she is reconciled with John, and thus released.
Couples and Robbers is a 1981 English language comedy/crime film written and directed by Clare Peploe, starring Frances Low, Rik Mayall and Peter Eyre. Two couples -- one with all the riches that dreams are made of, the other with only dreams and schemes -- are brought together by the plotting of the poorer couple. A pair of newlyweds wander through the city streets, bickering about their poverty, until they are distracted by the opulent home of a lawyer. Impulsively, the couple makes off with the lawyer's vehicle for one night of extravagant indulgence. The film was nominated for an Oscar for Best Live Action Short Film.
A young gay man grows increasingly entangled in the marriage of an older couple.
A young man prostitutes himself near the Bois de Boulogne (16th). A motorist stops; the young man rides and protects his client. Produced by Lesbian and Gay Pride Films, this film is part of a program of ten short films from a screenwriting competition launched in October 1995 on the theme of homosexuality in the time of AIDS.
The bodies of women lying on the ground weave relationships around them, they breastfeed, they connect with the ground ... Carla Simón's first short, shot on 16 mm in the Californian forests. An experimental exercise that connects with the cinematographic avant-gardes of the early twentieth century.